SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Greek Painting Techniques and Materials: From the Fourth to the First Century BC
0 references·14 citing·52 second hop
Greek Painting Techniques and Materials: From the Fourth to the First Century BC (2009)Greek Painting Techniques and Materials: …Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy (2022)Identification and mapping of…The Decoration and Firing of Ancient Greek Pottery: A Review of Recent Investigations (2021)The Decoration and Firing of …Pigment nomenclature in the ancient Near East, Greece, and Rome (2021)Pigment nomenclature in the a…Colourful earth: Iron-containing pigments from the Hellenistic pigment production site of the ancient agora of Kos (Greece) (2019)Colourful earth: Iron-contain…The ancient Demetrias figurines: new insights on pigments and decoration techniques used on Hellenistic clay figurines (2017)The ancient Demetrias figurin…Layered pigments and painting technology of the Roman wall paintings of Caesarea Maritima (2017)Layered pigments and painting…Polychromy Analysis on Cypriot Archaic Statues by Non- and Micro-Invasive Analytical Techniques (2016)Polychromy Analysis on Cyprio…Non-destructive in situ analysis of polychromy on ancient Cypriot sculptures (2016)Non-destructive in situ analy…Beyond Vitruvius: New Insight in the Technology of Egyptian Blue and Green Frits (2016)Beyond Vitruvius: New Insight…Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Historic Mineral Pigments: Co…Greek Painting and the Challenge ofMimeİsis (2015)Greek Painting and the Challe…Technological insights into madder pigment production in antiquity (2014)Technological insights into m…Making and Meaning: The Hellenistic Mosaic from Tel Dor (2012)Making and Meaning: The Helle…PAINTED ROCK-CUT TOMBS IN CYPRUS FROM THE HELLENISTIC AND ROMAN PERIODS TO BYZANTIUM: MATERIAL PROPERTIES, DEGRADATION PROCESSES AND SUSTAINABLE PRESERVATION STRATEGIES (2010)PAINTED ROCK-CUT TOMBS IN CYP…Images of excellence: Plato's critique of the arts (1995)The Aesthetics of Mimesis (2009)Seeing the Face, Seeing the Soul: Polemon's Physiognomy from Classical Antiquity to Medieval Islam (2015)Science and Civilisation in China (1963)Basic Color Terms: Their Universality and Evolution. (1971)Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)Maya Blue Pigments Derived From Clay Minerals (2019)A review of radiometric dating and pigment characterizations of rock art in Indonesia (2021)Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System (2022)The Economy of Roman Palestine (2003)A Companion to the Hellenistic world (2004)The Oxford Handbook of Engineering and Technology in the Classical World (2009)Study of mosaic glass tesserae from Delos, Greece using a combination of portable μ-Raman and X-ray fluorescence spectrometry (2015)The Evolution of the Vitruvian Recipes over 500 Years of Floor‐Making Techniques: The Case Studies of the Domus delle Bestie Ferite and the Domus di Tito Macro (Aquileia, Italy) (2017)Testing the Canon of Ancient Near Eastern Art and Archaeology (2020)Science and Archaeology (1972)Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)From Mine to Microscope. Advances in the Study of Ancient Technology (2009)Local production and imitations of Late Roman pottery from a well in the Roman necropolis of Cuma in Naples, Italy (2018)Sr-Nd isotopic fingerprinting as a tool for ceramic provenance: Its application on raw materials, ceramic replicas and ancient pottery (2018)Egyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses (2023)Analytical Techniques in Materials Conservation (2007)Pigment Compendium (2008)The Guelph PIXE software package IV (2010)Investigation of painting technique of Coptic icon by integrated analytical methods: imaging, spectroscopic and chemometric methods (2019)Polychromy in Ancient Greek Sculpture: New Scientific Research on an Attic Funerary Stele at the Metropolitan Museum of Art (2023)National Gallery Technical Bulletin (1979)Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 1 (1989)Chemical Principles of Textile Conservation (2000)FUXYA2020: A Low-Cost Homemade Portable EDXRF Spectrometer for Cultural Heritage Applications (2022)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Vibrational and electronic properties of painting lakes (2008)Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC (2012)Approaches for Detecting Madder Lake in Multi-Layered Coating Systems of Historical Bowed String Instruments (2018)Optical analyses of wool dyeing materials in ancient Moroccan carpets “Zarbia(s)”: Combination of UV-vis diffuse reflectance, 3D-fluorescence and Raman spectroscopies (2018)Ancient Egyptian Materials and Industries (1963)Ancient Egyptian materials and technology (2000)The Economics of the Roman Stone Trade (2013)Mortars and plasters—How mortars were made. The literary sources (2021)Production, transport and on-site organisation of Roman mortars and plasters (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Studies in ancient technology (1972)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Interpol questioned documents review 2019–2022 (2023)Unmixing and pigment identification using visible and short-wavelength infrared: Reflectance vs logarithm reflectance hyperspaces (2023)Technological examination of Neolithic-Bronze Age pottery from central and southeast Europe and from the Near East (1981)Pottery Analysis: A Sourcebook. (1990)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Surface treatment of red painted and slipped wares in the middle Yangtze River valley of Late Neolithic China: multi-analytical case analysis (2022)Application of LIBS and LA-ICP-MS analysis to Hellenistic tableware (2024)Historical background of wood-fired ceramics firing in cross-flow kilns (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016Beyond Vitruvius: New Insight in the Technology of Egyptian Blue and Green Frits55 cited
  • 2021The Decoration and Firing of Ancient Greek Pottery: A Review of Recent Investigations53 cited
  • 2021Pigment nomenclature in the ancient Near East, Greece, and Rome45 cited
  • 2015Greek Painting and the Challenge ofMimeİsis42 cited
  • 2012Making and Meaning: The Hellenistic Mosaic from Tel Dor38 cited
  • 2017The ancient Demetrias figurines: new insights on pigments and decoration techniques used on Hellenistic clay figurines31 cited
  • 2014Technological insights into madder pigment production in antiquity31 cited
  • 2022Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy29 cited
  • 2016Polychromy Analysis on Cypriot Archaic Statues by Non- and Micro-Invasive Analytical Techniques26 cited
  • 2015Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations25 cited
  • 2016Non-destructive in situ analysis of polychromy on ancient Cypriot sculptures25 cited
  • 2017Layered pigments and painting technology of the Roman wall paintings of Caesarea Maritima24 cited
  • 2019Colourful earth: Iron-containing pigments from the Hellenistic pigment production site of the ancient agora of Kos (Greece)

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

22 cited
  • 2010PAINTED ROCK-CUT TOMBS IN CYPRUS FROM THE HELLENISTIC AND ROMAN PERIODS TO BYZANTIUM: MATERIAL PROPERTIES, DEGRADATION PROCESSES AND SUSTAINABLE PRESERVATION STRATEGIES12 cited