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A Portrait of Mendelssohn
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A Portrait of Mendelssohn (2003)A Portrait of MendelssohnFrom Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal (2020)From Bach to Helloween: ‘Teut…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique (2011)On Microscopic Hearing: Fairy…Mendelssohn and the Organ (2010)Mendelssohn and the OrganVictorian Fairies and Felix Mendelssohn'sA Midsummer Night's Dreamin England (2007)Victorian Fairies and Felix M…Knowing Mendelssohn: A Challenge from the Primary Sources (2004)Knowing Mendelssohn: A Challe…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)The Romantic Generation (1995)Mendelssohn: A Life in Music (2003)College Music Symposium (1962)Instruments and the Imagination (1998)Strange and secret peoples: fairies and Victorian consciousness (1999)The Invention of Tradition (1986)The Established and the Outsiders (1994)– The Symbolic Construction of Community (2013)Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers (2021)The Politics of Rammstein’s Sound (2021)The New Grove Dictionary of Music and Musicians (1981)Webster’s Ninth New Collegiate Dictionary (1985)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2012The performer and the composer10 cited
  • 2011On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique10 cited
  • 2020From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal7 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2004Knowing Mendelssohn: A Challenge from the Primary Sources6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2010Mendelssohn and the Organ6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2007Victorian Fairies and Felix Mendelssohn'sA Midsummer Night's Dreamin England4 cited
  • 2012Vocal performance in the Renaissance3 cited

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