Audiobooks, Literature, and Sound Studies

Abstract

Foreword Charles Bernstein Introduction: Talking Books, Matthew Rubery Part 1: Sound Experiments 1: The Three-Minute Victorian Novel: Remediating Dickens into Sound, Jason Camlot 2: A Library on the Air: Literary Dramatization and Orson Welles's Mercury Theatre, James Jesson 3: The Audiographic Impulse: Doing Literature with the Tape Recorder, Jesper Olsson 4: Poetry by Phone and Phonograph: Tracing the Influence of Giorno Poetry Systems, Michael S. Hennessey 5: Soundtracking the Novel: Willy Vlautin's Northline as Filmic Audiobook, Justin St. Clair Part 2: Close Listenings 6: Novelist as Sound-Thief: The Audiobooks of John le Carre, Garrett Stewart 7: Hearing Hardy, Talking Tolstoy: The Audiobook Narrator's Voice and Reader Experience, Sara Knox 8: Talking Books, Toni Morrison, and the Transformation of Narrative Authority: Two Frameworks, K. C. Harrisson 9: Obama's Voices: Performance and Politics on the Dreams from My Father Audiobook, Jeffrey Severs 10: Bedtime Storytelling Revisited: Le Pere Castor and Children's Audiobooks, Brigitte Ouvry-Vial 11: Learning from LibriVox, Michael Hancher 12: A Preliminary Phenomenology of the Audiobook, D. E. Wittkower

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 138 citations exist upstream.