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Cited by

• 2016The Native American Renaissance66 cited
• 2004Automitografias : The Border Paradigm and Chicana/o Autobiography57 cited
• 2017Rediscovering Julia de Burgos: The People's Rebel Soul Poet49 cited
• 2016Connecting visual presents to archival pasts in multilingual California33 cited
• 2002Manifest Domesticity26 cited
• 2002Sangre Mexicana/Corazon Americano: Identity, Ambiguity, and Critique in Mexican-American War Narratives25 cited
• 2002Hey Chico! The Latin Identity in Major League Baseball25 cited
• 2000Dr. Gonzo's Carnival: The Testimonial Satires of Oscar Zeta Acosta21 cited
• 2000How to Tell a Mestizo from an Enchirito¯: Colonialism and National Culture in the Borderlands17 cited
• 2012The Indian in the Latino: Genealogies of ethnicity13 cited
• 2001Mixed-Bloods, Mestizas, and Pintos: Race, Gender, and Claims to Whiteness in Helen Hunt Jackson’s Ramona and María Amparo Ruiz de Burton’s Who Would Have Thought It?12 cited
• 2018Rethinking the Colonial Latinx Literary Imaginary6 cited
• 2008Portrayals of Spanish in 19th-century American prose: María Amparo Ruiz de Burton's The Squatter and the Don6 cited