SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Redefining Mainstream Popular Music
0 references·16 citing·39 second hop
Redefining Mainstream Popular Music (2013)Redefining Mainstream Popular MusicMainstream popular music research: a musical update (2021)Mainstream popular music rese…Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Staying in, rocking out: Onli…Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue (2020)Researching Regional and Rura…Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity (2020)Defining Authenticity in the …Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)Revenue, access, and engageme…‘Zoella hasn’t really written a book, she’s written a cheque’: Mainstream media representations of YouTube celebrities (2019)‘Zoella hasn’t really written…Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview (2018)Conceptualising the Relations…Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop (2017)Keepin’ It Real: Authenticity…This Charming Butch: The male pop idol, girl fans, and lesbian (in)visibility (2016)This Charming Butch: The male…The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge Companion to th…Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’) (2016)Singer-songwriter authenticit…Musical gesture in the songs of Nick Drake (2016)Musical gesture in the songs …Listening to ironically-enjoyed music: A self-regulatory perspective (2016)Listening to ironically-enjoy…Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)Gender, race, and the ma(s)ki…Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways (2016)Aesthetic cosmopolitan, natio…In Search of ‘Independent’ Brisbane: Music, Memory, and Cultural Heritage (2014)In Search of ‘Independent’ Br…Visual Pleasure and Narrative Cinema (1975)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Gender trouble: feminism and the subversion of identity (1990)Crossing Style Borders: New Inroads in Training Teachers of Singing (2019)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Rock Guitar Virtuosos (2023)Gender Trouble: Feminism and the Subversion of Identity (1991)Feminism and Youth Culture (1991)Adoring Audience: Fan Culture and Popular Media (1994)Boots of Leather, Slippers of Gold: The History of a Lesbian Community. (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (2009)Distinction: A Social Critique of the Judgement of Taste* (2018)‘Jianghu flow’: examining cultural resonance in The Rap of China (2020)From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos (2020)The discursive construction of East Asian identities in an era of globalization and internationalization: the linguistic landscape of East Asian departments at a U.S. university (2020)One Chord Wonders: Power and Meaning in Punk Rock (1985)England's dreaming : Sex Pistols and punk rock (1992)Rock Culture in Liverpool: Popular Music in the Making. (1992)Thick Big Data (2020)So close yet so far: DIY cultures in Portugal and Brazil (2021)Spotify and the democratisation of music (2021)Distinction: A Social Critique of the Judgement of Taste. (1985)The Study of Boundaries in the Social Sciences (2002)Handbook of Theory and Research for the Sociology of Education. (1987)Music Genres and Corporate Cultures (2010)Fra plate til plattform (2021)Media Disrupted (2021)Views from the boundaries (2021)Club Cultures: Music, Media and Subcultural Capital (1997)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)Precarious Labor in COVID Times: The Case of Musicians (2021)Tales of temporary disruption: Digital adaptations in the first 100 days of the cultural Covid lockdown (2021)Splendour XR: Place, Experience and Liveness at a Virtual Music Festival (2023)Subculture: The Meaning of Style. (1981)Club cultures: music, media and subcultural capital (1996)Western music and its others : difference, representation, and appropriation in music (2000)Embodied Expression in Popular Music (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview91 cited
  • 2020Staying in, rocking out: Online live music portal shows during the coronavirus pandemic67 cited
  • 2019Revenue, access, and engagement via the in-house curated Spotify playlist in Australia56 cited
  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2019‘Zoella hasn’t really written a book, she’s written a cheque’: Mainstream media representations of YouTube celebrities27 cited
  • 2017Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop26 cited
  • 2016This Charming Butch: The male pop idol, girl fans, and lesbian (in)visibility19 cited
  • 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
  • 2016Musical gesture in the songs of Nick Drake14 cited
  • 2021Mainstream popular music research: a musical update13 cited
  • 2016Listening to ironically-enjoyed music: A self-regulatory perspective12 cited
  • 2020Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue11 cited
  • 2016Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways11 cited
  • 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

9 cited
  • 2014In Search of ‘Independent’ Brisbane: Music, Memory, and Cultural Heritage7 cited
  • 2020Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity7 cited