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The Shock of the Real: Romanticism and Visual Culture, 1760-1860
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  • 2009Wordsworth, Commodification, and Social Concern79 cited
  • 2010Romantic writing and the empire of signs: periodical culture and post-Napoleonic authorship68 cited
  • 2011Shelley's Visual Imagination55 cited
  • 2020Serial Forms35 cited
  • 2014Anti-Slavery's Panoramic Perspective33 cited
  • 2008‘Spectacles within doors’: Panoramas of London in the 1790s28 cited
  • 2011Virtual Topography: Poets, Painters, Publishers and the Reproduction of the Landscape in the Early Nineteenth Century27 cited
  • 2013The Late Poetry of the Lake Poets: Romanticism Revised26 cited
  • 2005Expressionism and Modernism in the American Theatre : Bodies, Voices, Words24 cited
  • 2008Two Kinds of Collections: Sir William Hamilton's Vases, Real and Represented23 cited
  • 2012Cultural Cross-Dressing: Posing and Performance in Orientalist Portraits23 cited
  • 2007Kaleidoscopic Vision and Literary Invention in an "Age of Things": David Brewster, Don Juan and "A Lady's Kaleidoscope"22 cited
  • 2011The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–187020 cited
  • 2020Romantic Capabilities15 cited

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2017
Interior spaces as traces in Balzac’s La Comédie humaine
15 cited
  • 2009Sympathy Machines: Men of Feeling and the Automaton13 cited