SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Models for beginners in composition
0 references·10 citing·36 second hop
Models for beginners in composition (1943)Models for beginners in compositionPeningkatan Kompetensi Mahasiswa dalam Komposisi Musik melalui Penggunaan Software Sibelius (2020)Peningkatan Kompetensi Mahasi…Liquidation and Its Origins (2019)Liquidation and Its OriginsModèles linguistiques et analyse des structures musicales (2013)Modèles linguistiques et anal…Is it possible to teach music composition today? A search for the challenges of teaching music composition to student composers in a tertiary context (2011)Is it possible to teach music…Parataxis: A framework of structure analysis for instrumental folk music (2010)Parataxis: A framework of str…An Unlikely Synergy: Lou Harrison and Arnold Schoenberg (2009)An Unlikely Synergy: Lou Harr…A Practical Guide to Musical Composition (2008)A Practical Guide to Musical …Musica practica: music theory as pedagogy (2002)Musica practica: music theory…MIDDLE-OUT MUSIC ANALYSIS AND ITS PSYCHOLOGICAL BASIS (2002)MIDDLE-OUT MUSIC ANALYSIS AND…Schoenberg's Private Program for the String Quartet in D Minor, Op. 7 (1993)Schoenberg's Private Program …Syntactic Structures (1957)ASPECTS OF THE THEORY OF SYNTAX (1964)The Biological Foundations of Language (1967)Style and Idea (1950)Fundamentals of Musical Composition (1968)Fundamentals of Musical Composition (1970)Composing on Stage: Schoenberg and the Creative Process as Public Performance (2005)Composers at Work (1997)Creativity (2009)Special Issue: Current Issues in High Music Education (2012)Learning and music composition: An analysis of composers’ testimonies (2020)Exploring Spanish studio music teachers’ views on topics related to creativity (2024)Style and Idea: Selected Writings of Arnold Schoenberg (1975)The Music of John Cage (1993)The Cambridge Companion to John Cage (2002)The Musical Experience of Composer, Performer, Listener (1951)The Musical Idea and the Logic, Technique, and Art of its Presentation (1995)Emotion and Meaning in Music (1961)Classic Music: Expression, Form, and Style (1981)The Modularity of Mind. (1985)Humanism in Italian Renaissance Musical Thought (1986)Greek Musical Writings (1990)Who needs theory anyway? The relationship between theory and practice of music education in a philosophical outlook (2011)‘It makes you think anything is possible’: Representing diversity in music theory pedagogy (2016)Music Theory Pedagogy in the Nineteenth Century (2022)Perspectives of New Music (1963)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben” (2023)Metodologi penelitian Kualitatif (2012)ANALISIS DATA KUALITATIF (2019)Strategi Belajar Mengajar (2024)Aspects of Bulgarian Musical Thought (1980)Systematic Musicology and the History and Future of Western Musical Scholarship (2007)Praat: Doing Phonetics by Computer (2011)The Poetics of Meráki: Dialogue and Speech Genre in Kalymnian Song (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002Musica practica: music theory as pedagogy21 cited
  • 1993Schoenberg's Private Program for the String Quartet in D Minor, Op. 717 cited
  • 2011Is it possible to teach music composition today? A search for the challenges of teaching music composition to student composers in a tertiary context8 cited
  • 2020Peningkatan Kompetensi Mahasiswa dalam Komposisi Musik melalui Penggunaan Software Sibelius7 cited
  • 2013Modèles linguistiques et analyse des structures musicales7 cited
  • 2019Liquidation and Its Origins6 cited
  • 2002MIDDLE-OUT MUSIC ANALYSIS AND ITS PSYCHOLOGICAL BASIS5 cited
  • 2010Parataxis: A framework of structure analysis for instrumental folk music5 cited
  • 2009An Unlikely Synergy: Lou Harrison and Arnold Schoenberg3 cited
  • 2008A Practical Guide to Musical Composition3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work