SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Performance in America: contemporary U.S. culture and the performing arts
0 references·12 citing·50 second hop
Performance in America: contemporary U.S. culture and the performing arts (2006)Performance in America: contemporary U.S.…TikTok Broadway (2024)TikTok BroadwayThe Latina/o Midwest Reader (2017)The Latina/o Midwest ReaderLike a Girl's Name (2012)Like a Girl's NameCompiling West Side Story ’s Parahistories, 1949–2009 (2012)Compiling West Side Story ’s …Acts of Gaiety (2012)Acts of GaietyThe Living Theatre: A Brief History of a Bodily Metaphor (2010)The Living Theatre: A Brief H…Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein (2008)Feminist Performance Criticis…Antigone's Bones (2008)Antigone's Bones"Defying Gravity": Queer Conventions in the Musical Wicked (2008)"Defying Gravity": Queer Conv…International Ballroom Dance and the Coreographies of Transnationalism (2007)International Ballroom Dance …In Defense of Pleasure: Musical Theatre History in the Liberal Arts [A Manifesto] (2007)In Defense of Pleasure: Music…Proliferating Panic: Regulating Representations of Sex and Gender during the Culture Wars (1970)Proliferating Panic: Regulati…A Cycle of Outrage: America's Reaction to the Juvenile Delinquent in the 1950s (1986)Dynamics Of Folklore (1996)Harvest of Empire: A History of Latinos in America (2000)“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story (2014)“We Get the Job Done”: Immigrant Discourse and Mixtape Authenticity in The Hamilton Mixtape (2018)Discipline and Punish: The Birth of the Prison. (1978)Postmodernism, or, The cultural logic of late capitalism (1991)Discipline and Punish: The Birth of the Prison. (1996)Viewing the Pornographic Theatre: Explicit Voyeurism, Artaud and Ann Liv Young’s Cinderella (2015)‘Burn the Witch’: Decadence and the Occult in Contemporary Feminist Performance (2021)Post‐feminism and popular culture (2004)Utopia in Performance (2005)Welcome to the Jungle: New Positions in Black Cultural Studies (2013)Writing from the margins: Marina Carr's early theatre (2014)Room for Realism? (2016)‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six (2020)A problem like Maria: gender and sexuality in the American musical (2003)Professing performance: theatre in the academy from philology to performativity (2004)Theatre histories: an introduction (2010)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)The Television Musical (2012)Excitable Speech: A Politics of the Performative (1997)Powers of freedom: reframing political thought (2000)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)How To Do Things With Words (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)Moveable worlds/Digital scenographies (2010)Ismene's Forced Choice: Sacrifice and Sorority in Sophocles' Antigone (2011)Material Remains at Play (2012)The Interpretation of Cultures (2017)3.2. MARXISM AND LITERATURE (2006)Crip theory: cultural signs of queerness and disability (2007)Alto on a Broomstick: Voicing the Witch in the Musical Wicked (2010)Homeward Bound: American Families in the Cold War Era (2017)Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)‘Why We Build the Wall’: Hegemony, memory and current events in Hadestown (2022)The Interpretation of Cultures (1974)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Intersections of Race, Gender, and Sexuality (2015)Contextualizing Competence: Language and LGBT-Based Competency in Health Care (2017)Reproducing Racial Fictions: Critical Meditations on (a) Lesbian Pregnancy (2019)The Presentation of Self in Everyday Life (2023)Migrant “Illegality” and Deportability in Everyday Life (2002)Cruising utopia: the then and there of queer futurity (2010)A Brief History of Neoliberalism (2020)Beyond Boystown: Latinidad on the outskirts of queer Chicago nightlife (2020)Fashion, Culture, and Identity (1992)Memes in a Digital World: Reconciling with a Conceptual Troublemaker (2013)Race after technology. Abolitionist tools for the new Jim Code (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Acts of Gaiety51 cited
  • 2007In Defense of Pleasure: Musical Theatre History in the Liberal Arts [A Manifesto]49 cited
  • 2024TikTok Broadway35 cited
  • 2017The Latina/o Midwest Reader32 cited
  • 2008"Defying Gravity": Queer Conventions in the Musical Wicked21 cited
  • 2008Antigone's Bones20 cited
  • 1970Proliferating Panic: Regulating Representations of Sex and Gender during the Culture Wars15 cited
  • 2012Like a Girl's Name14 cited
  • 2008Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein13 cited
  • 2012Compiling West Side Story ’s Parahistories, 1949–200910 cited
  • 2007International Ballroom Dance and the Coreographies of Transnationalism7 cited
  • 2010The Living Theatre: A Brief History of a Bodily Metaphor6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work