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OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation
0 references·12 citing·20 second hop
OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation (2014)OuterSpeares: Shakespeare, Intermedia, an…Untimely Developments (2022)Untimely DevelopmentsTouches Across Time (2022)Touches Across TimeThe Topopoetics of Retirement in Katherine Philips and Lucy Hutchinson (2022)The Topopoetics of Retirement…The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)The Oxford Handbook of Early …Receiving Early Modern Women’s Drama (2022)Receiving Early Modern Women’…Lyric Backwardness (2022)Lyric BackwardnessHow Lady Jane Grey May Have Used her Education (2022)How Lady Jane Grey May Have U…Early Modern Women, Race, and Writing Revisited (2022)Early Modern Women, Race, and…Shakespeare, Spectatorship and the Technologies of Performance (2020)Shakespeare, Spectatorship an…Hacking Adaptation: Updating, Porting, and Forking the Shakespearean Source Code (2020)Hacking Adaptation: Updating,…The Intermedial Dramaturgy of Dramatick Opera: Understanding Genre through Performance (2018)The Intermedial Dramaturgy of…Together, Apart: Liveness, Eventness, and Streaming Shakespearean Performance (2017)Together, Apart: Liveness, Ev…The haunted stage: the theatre as memory machine (2002)Confronting the Challenges of Participatory Culture: Media Education for the 21st Century (2006)Liveness: performance in a mediatized culture (2008)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Always already new: media, history, and the data of culture (2007)Performing remains art and war in times of theatrical reenactment (2011)Understanding Media: The Extensions of Man (1964)Gender Trouble: Feminism and the Subversion of Identity (1991)How We Became Posthuman (1999)“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016) (2019)Viral Shakespeare (2021)The Language of New Media (2002)Metaphors We Live By (2003)Reproduction in Education, Society and Culture (1979)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Early Modern Women’s Writing and the Future of Literary History (2025)“Presenting a Book to Orinda”: Anne Twice, Katherine Philips, and John Oldham in New York Public Library, Drexel MS 4175 (2021)Distilling Grief: Lucy Hutchinson’s Elegies and Alchemy (2023)
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  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
  • 2017Together, Apart: Liveness, Eventness, and Streaming Shakespearean Performance22 cited
  • 2022Untimely Developments14 cited
  • 2020Hacking Adaptation: Updating, Porting, and Forking the Shakespearean Source Code14 cited
  • 2022Receiving Early Modern Women’s Drama9 cited
  • 2022Early Modern Women, Race, and Writing Revisited9 cited
  • 2022Lyric Backwardness6 cited
  • 2018The Intermedial Dramaturgy of Dramatick Opera: Understanding Genre through Performance4 cited
  • 2022How Lady Jane Grey May Have Used her Education3 cited
  • 2022The Topopoetics of Retirement in Katherine Philips and Lucy Hutchinson2 cited
  • 2022Touches Across Time2 cited

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