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Cited by

• 2011Going Overboard: African American Poetic Innovation and the Middle Passage73 cited
• 2017Mad Is a Place; or, the Slave Ship Tows the Ship of Fools52 cited
• 2019“Windrush Generation” and “Hostile Environment”47 cited
• 2016The ship, the media, and the world: conceptualizing connections in global history33 cited
• 2010Africans and Slave Marriages in Eighteenth-century Rio de Janeiro32 cited
• 2006Colonization, Creolization, and Globalization: The Art and Ruses of Bricolage27 cited
• 2003Theorizing Africa in Black Diaspora Studies: Caryl Phillips' Crossing the River23 cited
• 2013“When the sea of living memory has receded”: Cultural memory and literary narratives of the Middle Passage23 cited
• 2009Beyond “Authenticity”: Migration and the Epistemology of “Voice” in Mary Prince’s History of Mary Prince and Maryse Condé’s I, Tituba21 cited
• 2008The Curse of Constant Remembrance: The Belated Trauma of the Slave Trade in Ayi Kwei Armah’s Fragments17 cited
• 2018La Djablesse: Between Martinique, Trinidad (and Tobago), and its Pan-Caribbean Dimension15 cited
• 2011In Search of a Third Space: Fabienne Kanor's Humus6 cited
• 2008Writing Home: The Post Colonial Dialogue of Athol Fugard and August Wilson6 cited