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Analyzing Wagner's Operas: Alfred Lorenz and German Nationalist Ideology
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Cited by

  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2018Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude3 cited
  • 2013Nietzsche, Tristan und Isolde, and the Analysis of Wagnerian Rhythm3 cited
  • 1998Hans Pfitzner's Palestrina and the Impotence of Early Lateness3 cited
  • 2000Musikwissenschaft — eine verspätete Disziplin3 cited
  • 2017“As Forming Becomes Form”3 cited
  • 2009Lévi-Strauss and the Opera2 cited
  • 2019Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello2 cited
  • 2020Wagner and the Rise of Modern Mythology2 cited
  • 2020Specters of Nazism2 cited
  • 2007Subverting the Conventions of Number Opera from Within: Hierarchical and Associational Uses of Tonality in Act I of Der fliegende Holländer2 cited

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