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Acknowledgments Introduction: Hitchcock and Adaptation, Mark Osteen I: Hitchcock and Authorship Chapter 1: Hitchcock the Author, Thomas M. Leitch Chapter 2: Wrong Men on the Run: 39 Steps as Hitchcock's Espionage Paradigm, Walter Raubicheck and Walter Srebnick Chapter 3: Role and Presence of Authorship in Suspicion, Patrick Faubert II. Hitchcock Adapting Chapter 4: Melancholy Elephants: Hitchcock and Ingenious Adaptation, Ken Mogg Chapter 5: Conrad's Secret Agent, Hitchcock's Sabotage, and Inspiration of Public Uneasiness, Matthew Paul Carlson Chapter 6: Stranger(s) Than Fiction: Adaptation, Modernity, and the Menace of Fan Culture in Hitchcock's Strangers on a Train, Leslie H. Abramson Chapter 7: Reading Hitchcock/Reading Queer: Adaptation, Narrativity, and a Queer Mode of Address in Rope, Strangers on a Train, and Psycho, Heath A. Diehl Chapter 8: Dear Miss Lonelyhearts: Voyeurism and the Spectacle of Human Suffering in Rear Window, Nicholas Andrew Miller Chapter 9: The Proper Geography: Hitchcock's Adaptation of Daphne du Maurier's The Birds, John Bruns Chapter 10: From Kaleidoscope to Frenzy: Hitchcock's Second British Homecoming, Tony Williams III. Hitching a Ride: Collaborations Chapter 11: Hitchcock's Diegetic Imagination: Thornton Wilder, Shadow of a Doubt, and Hitchcock's Mise-en-Scene, Donna Kornhaber Chapter 12: The Name of Hitchcock! Fame of Steinbeck!-The Legacy of Lifeboat, Maria A. Judnick Chapter 13: What did Alma Think?:Continuity, Writing, Editing, and Adaptation, Christina Lane and Jo Botting IV. Adapting Hitchcock Chapter 14: Second Look, the Second Death: W. G. Sebald's Orphic Adaptation of Hitchcock's Vertigo, Russell J. A. Kilbourn Chapter 15: Dark Adaptations: Robert Bloch and Hitchcock on the Small Screen, Dennis R. Perry and Carl H. Sederholm Chapter 16: Extraordinary Renditions: DeLillo's Point Omega and Hitchcock's Psycho, Mark Osteen Chapter 17: Culture of Spectacle in American Psycho, David Seed Alfred Hitchcock Filmography About the Contributors About the Editor
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