SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The downtown book : the New York art scene, 1974-1984
0 references·12 citing·48 second hop
The downtown book : the New York art scene, 1974-1984 (2006)The downtown book : the New York art scen…A New Generation Emerges (2023)A New Generation EmergesDefining Punk (2018)Defining PunkThe New Bohemia as Urban Institution (2017)The New Bohemia as Urban Inst…The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues (2016)The “Toilet Circuit”: Cultura…Liveability and creativity: The case for Melbourne music precincts (2014)Liveability and creativity: T…TV Party: Downtown New York Scenes Live on Your TV Screen (2013)TV Party: Downtown New York S…The eventification of place: Urban development and experience consumption in Berlin and New York City (2012)The eventification of place: …The Early Gentrifier: Weaving a Nostalgia Narrative on the Lower East Side (2011)The Early Gentrifier: Weaving…Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88 (2011)Big Business, Real Estate Det…More to see than a canvas in a white cube: For an art in the streets (2010)More to see than a canvas in …Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology (2008)Disco Madness: Walter Gibbons…Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92 (2007)Connecting with the Cosmic: A…Loft Living: Culture and Capital in Urban Change. (1985)Times Square Red, Times Square Blue (1999)A Brief History of Neoliberalism (2005)Performance, Materiality, and Heritage: What Does an Archaeology of Popular Music Look Like? (2013)The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (2002)New York Ricans from the Hip Hop Zone (2003)Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)Disco edits and their discontents: The persistence of the analog in a digital era (2010)Rethinking the Rhetoric of Remix (2011)The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture (2013)Clusters and the new economics of competition. (1999)The Rise of the Creative Class (2002)Clusters and the New Economics of Competition (2014)Place quality in innovation clusters: An empirical analysis of global best practices from Singapore, Helsinki, New York, and Sydney (2017)Evaluating place quality in innovation districts: A Delphic hierarchy process approach (2018)A cultural justice approach to popular music heritage in deindustrialising cities (2020)The Death and Life of Great American Cities (1962)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Edge of the Island: Cultural Ideology and Neighbourhood Identity at the Gentrification Frontier (2012)The Social Construction of a Gentrifying Neighborhood (2015)Sowing Seeds of Displacement: Gentrification and Food Justice in Oakland, CA (2018)Distinction: A Social Critique of the Judgement of Taste. (1985)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Distinction: A Social Critique of the Judgement of Taste* (2018)The role of the private actor in cultural regeneration: Hybridizing cultural heritage with creativity in the city (2018)The social and cultural values of live music: Sustaining urban live music ecologies (2019)Creating and Governing Cultural Heritage in the European Union (2020)Disorder and decline: crime and the spiral of decay in American neighborhoods (1991)The Cultures of Cities (1995)Fixing broken windows: restoring order and reducing crime in our communities (1997)Graffiti writer as superhero (2013)Exploring everyday encounters with street art using a multimethod design. (2017)Urban Art touristification: The case of Lisbon (2019)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Black Atlantic: Modernity and Double Consciousness. (1997)Bodies That Matter (2011)History beyond Recovery: Julius Eastman and the Challenge of the Heterological (2024)The Ritual Process. Structure and Anti-Structure (1971)Disjuncture and Difference in the Global Cultural Economy (1990)On Collective Memory (1992)Archaeology, Heritage and Performance in the Perth Popular Music Scene (2019)Sonic Heritage, Identity and Music-making in Sheffield, “Steel City” (2020)The Field of Cultural Production (1994)Overtourism and Resident Resistance in Budapest (2019)A guide for the analysis of cultural scenes: a measurement proposal and its validation for the Spanish case (2021)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Performing Glam Rock (2006)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012The eventification of place: Urban development and experience consumption in Berlin and New York City124 cited
  • 2011The Early Gentrifier: Weaving a Nostalgia Narrative on the Lower East Side81 cited
  • 2010More to see than a canvas in a white cube: For an art in the streets75 cited
  • 2014Liveability and creativity: The case for Melbourne music precincts33 cited
  • 2011Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-8826 cited
  • 2008Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology21 cited
  • 2007Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-9215 cited
  • 2017The New Bohemia as Urban Institution10 cited
  • 2016The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues7 cited
  • 2018Defining Punk5 cited
  • 2013TV Party: Downtown New York Scenes Live on Your TV Screen2 cited
  • 2023A New Generation Emerges0 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work