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Hollywood from Vietnam to Reagan -- and beyond
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  • 2011Dictating Desire, Dictating Diaspora: Junot Díaz's The Brief Wondrous Life of Oscar Wao as Foundational Romance51 cited
  • 2016The Children's Horror Film: Characterizing an “Impossible” Subgenre29 cited
  • 2016Camp Horror and the Gendered Politics of Screen Violence: Subverting the Monstrous-Feminine inTeeth(2007)26 cited
  • 2016Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood20 cited
  • 2020Capital City: How Billionaire Heroism Mediates Post-Imperial Ambiguities in The Avengers and The Avengers – Age of Ultron19 cited
  • 2015Philosophy of the Living Dead: At the Origin of the Zombie-Image17 cited
  • 2008A short history of film15 cited
  • 2017It Follows: precarity, thanatopolitics, and the ambient horror film14 cited
  • 2017Text and Terror: Monster Theory and the Hebrew Bible12 cited
  • 2009What's the Deal with Soundtrack Albums?: Metal Music and the Customized Aesthetics of Contemporary Horror11 cited
  • 2013The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation11 cited
  • 2014Exploring the ‘Other’: inter-faith marriages inJodhaa Akbarand beyond7 cited
  • 2014The Monstrous ‘Other’ Feminine: Gender, Desire and the ‘Look’ in the Hindi Horror Genre7 cited

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2014
The Cultural Politics of Horror Film Criticism
7 cited
  • 2017Revisiting the Final Girl: Looking Backwards, Looking Forwards7 cited
  • 2010The (Un) spectacle of the real: Forwarding an active spectator in Michael Haneke'sLe temps du loup/Time of the Wolf(2003)6 cited