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Illustrations Acknowledgements Introduction: On the nature of being otherwise Part I. Critique: 1. Fascism and/or liberalism: the avant-garde and modern capital 2. 'No end, but addition': T. S. Eliot and the tragic economy of high modernism Part II. Construction: 3. The modern temple: T. E. Hulme and the construction of classicism 4. 'A fairly horrible business': labour, World War I, and the production of modern art 5. Thesmophoria: suffragettes, sympathetic magic, and feminist classicism Notes Index.
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