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Robert Schumann and the study of orchestral composition: the genesis of the First symphony, op. 38
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 1992Sinfonia anti-eroica: Berlioz's Harold en Italie and the Anxiety of Beethoven's Influence33 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 1995Robert Schumann and Sonata Forms17 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 1997Robert Schumann's Metrical Revisions6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2012Vocal performance in the Renaissance

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3 cited