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Art of the Mammoth Hunters: The Finds from Avdeevo
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  • 2000The “Venus” Figurines225 cited
  • 2001Bone and ivory points in the Lower and Middle Paleolithic of Europe174 cited
  • 2011Palaeolithic dog skulls at the Gravettian Předmostí site, the Czech Republic161 cited
  • 2004The use of Proboscidean remains in every-day Palaeolithic life111 cited
  • 1998Paviland Cave: contextualizing the ‘Red Lady’80 cited
  • 2007Fossil Bear Bones in the Belgian Upper Paleolithic: The Possibility of a Proto Bear-Ceremonialism61 cited
  • 2004The Archaeology of Communication Technologies58 cited
  • 2016A Cladistics Analysis Exploring Regional Patterning of the Anthropomorphic Figurines from the Gravettian55 cited
  • 2011Interpreting ancient figurines: context, comparison, and prehistoric art49 cited
  • 2015Mammoth ivory technologies in the Upper Palaeolithic: a case study based on the materials from Yana RHS, Northern Yana-Indighirka lowland, Arctic Siberia48 cited
  • 2012The oldest art of the Eurasian Arctic: personal ornaments and symbolic objects from Yana RHS, Arctic Siberia46 cited
  • 2011Technologies of Art41 cited
  • 2017The Kostënki 18 child burial and the cultural and funerary landscape of Mid Upper Palaeolithic European Russia39 cited
  • 2017Premières observations sur le gisement gravettien à statuettes féminines d’Amiens-Renancourt 1 (Somme)

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32 cited
  • 2014Kraków Spadzista trench C2: New research and interpretations of Gravettian settlement22 cited
  • 2019The Late Gravettian Site of Kostënki 21 Layer III, Russia: a Chronocultural Reassessment Based on a New Interpretation of the Significance of Intra-site Spatial Patterning21 cited