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Road Movies: From Muybridge and Méliès to Lynch and Kiarostami
0 references·6 citing·21 second hop
Road Movies: From Muybridge and Méliès to Lynch and Kiarostami (2008)Road Movies: From Muybridge and Méliès to…Affirmative Aesthetics and Wilful Women (2020)Affirmative Aesthetics and Wi…Comics and Memory in Latin America (2017)Comics and Memory in Latin Am…Pema Tseden and the Tibetan road movie: space and identity beyond the ‘minority nationality film’ (2016)Pema Tseden and the Tibetan r…Introduction: Reconfiguring Precarious Landscapes: The Road Movie in Latin America (2016)Introduction: Reconfiguring P…The paradoxes of cinematic movement: is the road movie a static genre? (2014)The paradoxes of cinematic mo…Identidad y movilidad en el cine documental latinoamericano contemporáneo: Familia tipo (2009) e Hija (2011) (2014)Identidad y movilidad en el c…Film/Genre (1999)Driving visions: exploring the road movie (2003)The Close-Up: Scale and Detail in the Cinema (2003)Palimpsestos : la literatura en segundo grado (1989)Rhetoric and Representation in Nonfiction film (1997)Atlas of emotion: journeys in art, architecture, and film (2003)Alice Doesn’t (1984)Alice Doesn't: Feminism, Semiotics, Cinema (1985)Minority Rules: The Miao and the Feminine in China’s Cultural Politics (2000)Articulating for Tibetan Experiences in the Contemporary World: A Cultural Study of Pema Tseden’s and Sonthar Gyal’s Films (2017)Sparks from the friction of terrain: Transport animals, borderlands, and the territorial imagination in China (2023)Imperial Eyes (1900)Third-World Literature in the Era of Multinational Capitalism (1986)Imperial Eyes: Travel Writing and Transculturation. (1993)The History of Sexuality, Volume 1: An Introduction. (1979)Between Memory and History: Les Lieux de Mémoire (1989)Family Frames: Photography, Narrative and Postmemory (1997)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)The Cultural Politics of Emotion (2014)An affirmative look at a domesticity in crisis: Women, Humour and Domestic Labour during the COVID-19 Pandemic (2020)
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Cited by

  • 2016Pema Tseden and the Tibetan road movie: space and identity beyond the ‘minority nationality film’23 cited
  • 2020Affirmative Aesthetics and Wilful Women19 cited
  • 2017Comics and Memory in Latin America9 cited
  • 2014Identidad y movilidad en el cine documental latinoamericano contemporáneo: Familia tipo (2009) e Hija (2011)9 cited
  • 2014The paradoxes of cinematic movement: is the road movie a static genre?6 cited
  • 2016Introduction: Reconfiguring Precarious Landscapes: The Road Movie in Latin America6 cited

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