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No Democracy in Quality: Ansel Adams, Beaumont and Nancy Newhall, and the Founding of the Department of Photographs at the Museum of Modern Art
16 references·0 citing·29 second hop
No Democracy in Quality: Ansel Adams, Beaumont and Nancy Newhall, and the Founding of the Department of Photographs at the Museum of Modern Art (2010)No Democracy in Quality: Ansel Adams, Bea…The worlds of Lincoln Kirstein (2008)The worlds of Lincoln Kirstein»Let Us Now Praise Famous Men« (2006)»Let Us Now Praise Famous Men«Exhibiting Contradiction: Essays on the Art Museum in the United States. (1999)Exhibiting Contradiction: Ess…The power of display : a history of exhibition installations at the Museum of modern art (1998)The power of display : a hist…Photography: a middle-brow art (1991)Photography: a middle-brow artPhotography at the dock : essays on photographic history, institutions, and practices (1991)Photography at the dock : ess…Beloved Community: The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Lewis Mumford (1991)Beloved Community: The Cultur…The history of photography (1990)The history of photographySymbols of Ideal Life: Social Documentary Photography in America 1890-1950 (1990)Symbols of Ideal Life: Social…The Politics of Modernism Against the New Conformists (1989)The Politics of Modernism Aga…Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Highbrow/lowbrow: the emergen…How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (1984)How New York Stole the Idea o…Documentary Expression and Thirties America. (1974)Documentary Expression and Th…A Short History of Photography (1972)A Short History of PhotographyThe agony of the American left (1969)The agony of the American leftPhotography and the American Scene; A Social History, 1839-1889. (1938)Photography and the American …Interconnecting: museum visiting and exhibition design (2007)Beyond the Head: The Practical Work of Curating Contemporary Art (2010)Museums, Equality and Social Justice (2013)Fertile Obsession: Validity After Poststructuralism (1993)Photovoice Ethics: Perspectives from Flint Photovoice (2001)Spiritual Capital: Theorizing Religion with Bourdieu against Bourdieu (2003)You Can't Believe Your Eyes: Inaccuracies in Photographs of North American Indians (1975)Historical photographs as anthropological documents: A retrospect (1990)The Cambridge History of American Theatre (1999)Editorial: Mobilities, Immobilities and Moorings (2006)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues (2013)The Postcolonial Unconscious (2011)Anywhere or not at all: philosophy of contemporary art (2014)Modernism and the Reinvention of Decadence (2014)The Status of American Rural Education Research: An Integrated Review and Commentary (1987)Cultural governance and pictorial resistance: reflections on the imaging of war (2003)CULTURE AND CULTURAL ANALYSIS AS EXPERIMENTAL SYSTEMS (2007)The Myth of Massive Media Impact: Savagings and Salvagings (1986)Feminist international relations: an unfinished journey (2002)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Problems in comparative research: The example of omnivorousness (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)Tactility and Distraction (1991)9. The Generation Of Postmemory (2008)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Laboratory Space and the Technological Complex: An Investigation of Topical Contextures (1991)Mythmaking in Annual Reports (2001)REVEALING THE UNSEEN: TOURISM, ART AND PHOTOGRAPHY (2002)
this work references cited by second hop

References

  • 1991Photography: a middle-brow art1,059 cited
  • 1989The Politics of Modernism Against the New Conformists1,002 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 1984How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War411 cited
  • 1972A Short History of Photography361 cited
  • 2006»Let Us Now Praise Famous Men«339 cited
  • 1974Documentary Expression and Thirties America.280 cited
  • 1998The power of display : a history of exhibition installations at the Museum of modern art232 cited
  • 1938Photography and the American Scene; A Social History, 1839-1889.130 cited
  • 1990The history of photography128 cited
  • 1991Photography at the dock : essays on photographic history, institutions, and practices123 cited
  • 2008The worlds of Lincoln Kirstein97 cited
  • 1991Beloved Community: The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Lewis Mumford78 cited
  • 1969The agony of the American left74 cited
  • 1990Symbols of Ideal Life: Social Documentary Photography in America 1890-195072 cited
  • 1999

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Exhibiting Contradiction: Essays on the Art Museum in the United States.
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