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From pop to punk to postmodernism : popular music and Australian culture from the 1960s to the 1990s
0 references·16 citing·52 second hop
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  • 2004URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE85 cited
  • 1998“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music54 cited
  • 1999Power Play and Party Politics: The Significance of Raving42 cited
  • 2006Decolonizing the production of geographical knowledges? reflections on research with indigenous musicians31 cited
  • 2009DJ Culture in the Commercial Sydney Dance Music Scene26 cited
  • 2008The difference of Perth music: A scene in cultural and historical context23 cited
  • 2012How should we plan and regulate live music in Australian cities? Learnings from Brisbane19 cited
  • 2006Nation Building and Australian Popular Music in the 1970s and 1980s17 cited
  • 2007Work and Play: Vagaries Surrounding Contemporary Cultural Production in Sydney's Dance Music Culture16 cited
  • 2016Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways11 cited
  • 2015Perth punk and the construction of urbanity in a suburban city10 cited
  • 2007Punk identities in post-apartheid South Africa9 cited
  • 2008An ‘Orwellian vision’: Oz Rock scenes and regulation8 cited
  • 2008The scenes perspective and the Australian context

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8 cited
  • 2006Government regulation in the Australian popular music industry: The rhetoric of cultural protection, the reality of economic production8 cited
  • 2012Lobby Loyde: The G.O.D. father of Australian rock7 cited