SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
High Art Lite: British Art in the 1990s
0 references·15 citing·52 second hop
High Art Lite: British Art in the 1990s (1999)High Art Lite: British Art in the 1990sExcremental Art: Small Wonder in a World Full of Shit (2017)Excremental Art: Small Wonder…Urbanization and the City Image in Lowry at Tate Britain: Towards a Critique of Cultural Cityism (2016)Urbanization and the City Ima…Landscape and Gentrification: The Picturesque and Pastoral in 1980s New York Cinema (2016)Landscape and Gentrification:…Framing the work: the composition of value in the visual arts (2016)Framing the work: the composi…A Politics of the Urban Ordinary: The Material Ad Hoc-ness of Shops in London (2016)A Politics of the Urban Ordin…The Cambridge Introduction to Postmodernism (2015)The Cambridge Introduction to…Prize & price: The Turner Prize as a valuation device in the contemporary art market (2014)Prize & price: The Turner Pri…How is Damien Hirst a Cultural Entrepreneur? (2014)How is Damien Hirst a Cultura…Obras à mostra: articulações do trabalho de arte pelo desenho de exposição (2013)Obras à mostra: articulações …Financial artscapes: Damien Hirst, crisis and the City of London (2012)Financial artscapes: Damien H…Visions of Excess (2010)Visions of ExcessThe emergence of culture-led regeneration : a policy concept and its discontents (2007)The emergence of culture-led …Nature, art and indifference (2004)Nature, art and indifferenceLocating art worlds: London and the making of Young British art (2003)Locating art worlds: London a…‘Everything that surrounds’ (2001)‘Everything that surrounds’The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)The Postmodern Condition: A Report on Knowledge (1984)Gender Trouble: Feminism and the Subversion of Identity (1991)After postmodernism in educational theory? A collective writing experiment and thought survey (2018)Authenticity and loyalty at heritage sites: The moderation effect of postmodern authenticity (2018)The Market Logics of Contemporary Fiction (2019)The Global City (1991)The Rise of the Creative Class (2002)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The social life of measurement: how methods have shaped the idea of culture in urban regeneration (2016)New Metropolitan Perspectives (2020)The Culture Fix (2022)The Idea of the Postmodern: A History (1995)Justice, Nature and the Geography of Difference (1997)Hybrid Geographies: Natures Cultures Spaces (2002)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)Immersion Into Noise (2011)This fact which is not one: differential poetics in transatlantic american modernism (2012)Toward a Theory of Gender (2013)AFFECT (2015)From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism (1989)The Field of Cultural Production (1994)The Global City (2001)GLOBALIZATION OF MARKETS FOR CONTEMPORARY ART (2013)Epistemic communities, localization and the dynamics of knowledge creation (2014)Econometric Analysis of Cross Section and Panel Data (2001)“Marketing from the Art World”: A Critical Review of American Research in Arts Marketing (2017)How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Retrospective Consecration Beyond the Mainstream: The Creation of a Progressive Rock Canon (2019)Econometric Analysis of Panel Data (2021)The field of Cultural Production (2002)Evolving to a New Dominant Logic for Marketing (2003)Co-creation experiences: The next practice in value creation (2004)Creating Value through the Performing Arts Festival: The Multi-Stakeholder Approach (2020)The Creative Business Model Canvas (2020)To sell or not to sell? Pricing strategies of newly-graduated artists (2022)Marxism and Literature (1978)Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Introduction to the Special Section: Recreational mobilities in (and beyond) the compact city (2023)Powers of Horror: An Essay on Abjection (1984)The skin of the film: intercultural cinema, embodiment, and the senses (2000)Fecal microbiota transplants: emerging social representations in the English-language print media (2019)After Eating (2023)Implementing Entrepreneurial Ideas: The Case for Intention (1988)Creative industries: contracts between art and commerce (2000)Cities and the Creative Class (2005)Music Entrepreneurs in a Linguistic Minority Context: Effectuation as Adaptation to the Paradoxes of Digital Technologies (2018)L’entrepreneuriat en commun comme force collective pour les artistes professionnels (2019)Mermaids as market creators: Cultural entrepreneurship in an emerging practice (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015The Cambridge Introduction to Postmodernism96 cited
  • 2003Locating art worlds: London and the making of Young British art58 cited
  • 2007The emergence of culture-led regeneration : a policy concept and its discontents56 cited
  • 2016Framing the work: the composition of value in the visual arts43 cited
  • 2014Prize & price: The Turner Prize as a valuation device in the contemporary art market41 cited
  • 2010Visions of Excess39 cited
  • 2017Excremental Art: Small Wonder in a World Full of Shit21 cited
  • 2014How is Damien Hirst a Cultural Entrepreneur?19 cited
  • 2004Nature, art and indifference10 cited
  • 2016Urbanization and the City Image in Lowry at Tate Britain: Towards a Critique of Cultural Cityism9 cited
  • 2012Financial artscapes: Damien Hirst, crisis and the City of London8 cited
  • 2016Landscape and Gentrification: The Picturesque and Pastoral in 1980s New York Cinema6 cited
  • 2001‘Everything that surrounds’5 cited
  • 2016A Politics of the Urban Ordinary: The Material Ad Hoc-ness of Shops in London5 cited
  • 2013Obras à mostra: articulações do trabalho de arte pelo desenho de exposição

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2 cited