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Conversations with Celestin Deliege
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Conversations with Celestin Deliege (1976)Conversations with Celestin DeliegeNOTATION AS LIBERATION (2014)NOTATION AS LIBERATIONGTTM and post-tonal music (2010)GTTM and post-tonal musicImprovisation and the orchestra: A composer reflects (2006)Improvisation and the orchest…New beginnings: the international avant-garde, 1945–62 (2004)New beginnings: the internati…Music Analysis as Human Science? 'Le Sacre du Printemps' in Theory and Practice (1982)Music Analysis as Human Scien…Boulez: composer, conductor, enigma (1976)Stocktakings from an apprenticeship (1992)The Boulez-Cage Correspondence (1993)Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960) (2015)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Metaphors We Live By (2003)Towards a Grammatical Analysis of S celsi's Late Music (2012)The Challenge of "Bi-Musicality" (1960)Improvisation: Its Nature And Practice In Music (1980)Noise... The Political Economy of Music (1988)Cornelius Cardew (1936-1981): A Reader (2008)Poetics of Music in the Form of Six Lessons (1970)Philosophy of Modern Music (1976)The State of Research in Twelve-Tone and Atonal Theory (1989)Prolongation in the Final Movement of Bartók's String Quartet No. 4 (1991)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)The Order of Things (2005)
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  • 1982Music Analysis as Human Science? 'Le Sacre du Printemps' in Theory and Practice12 cited
  • 2006Improvisation and the orchestra: A composer reflects10 cited
  • 2014NOTATION AS LIBERATION7 cited
  • 2004New beginnings: the international avant-garde, 1945–625 cited
  • 2010GTTM and post-tonal music3 cited

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