The Mask of Comedy

Thomas K. Hubbard

80 citations0/0 files storedCornell University Press eBooks

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Classical Antiquity Studies Theatre and Performance Studies Classical Philosophy and Thought

Abstract

Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 80 citations exist upstream.

Cited by

2006The competence of theatre audiences in fifth- and fourth-century Athens 2012The Pregnant Male as Myth and Metaphor in Classical Greek Literature 2015Costume in the Comedies of Aristophanes 2010Reading Roman comedy: poetics and playfulness in Plautus and Terence 2014Ovid's revisions: the editor as author 1996Politics and Poetry in Aristophanes' Wasps 2014Nonsense and Meaning in Ancient Greek Comedy 2008The drunk, the reformer and the teacher: agonistic poetics and the construction of persona in the comic poets of the fifth century

Imported from OpenAlex (CC0) — nothing here is generated.