SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
In a lonely street: film noir, genre, masculinity
0 references·16 citing·45 second hop
In a lonely street: film noir, genre, masculinity (1992)In a lonely street: film noir, genre, mas…»Hate Speech« und Verletzbarkeit im digitalen Zeitalter (2017)»Hate Speech« und Verletzbark…Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood (2016)Transactions with the World: …The Cambridge Companion to Film Music (2016)The Cambridge Companion to Fi…Materializing Film Music (2016)Materializing Film MusicTransfigurations : Violence, Death and Masculinity in American Cinema (2008)Transfigurations : Violence, …Tracing the City’s Scars (2007)Tracing the City’s ScarsThe Independent Cinema of Jia Zhangke (2007)The Independent Cinema of Jia…Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking (2007)Rebel without a Cause? China’…Film Noir's “Femme Fatales” Hard-Boiled Women: Moving Beyond Gender Fantasies (2007)Film Noir's “Femme Fatales” H…But We're Men Aren't We! (2007)But We're Men Aren't We!Gender studies et études filmiques (2005)Gender studies et études film…Cities in Shade: Urban Geography and the Uses of Noir (2005)Cities in Shade: Urban Geogra…Film Noir Fascination: Outside History, but Historically So (2003)Film Noir Fascination: Outsid…The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Girl and the Phonograph; …Popular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…Moving Pictures (1999)Moving PicturesPowers of Horror: An Essay on Abjection (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)“It's About Belonging”: Masculinity, Collectivity, and Community in British Hooligan Films (2011)From Reverence to Rape: The Treatment of Women in the Movies (1974)City of Dreadful Delight (1992)More than night: film noir in its contexts (1999)Framing the neo-noir in contemporary Tamil Cinema: Masculinity and modernity in Tamil Nadu (2017)Minima Moralia: Reflections from Damaged Life (1951)Looking awry: an introduction to Jacques Lacan through popular culture (1992)Theses on the Philosophy of History (2020)The Presentation of Self in Everyday Life. (1956)The Condition of Postmodernity (1991)Who is this "We"? Levels of collective identity and self representations. (1996)Who goes there?Accounting for gender in the urge to explore abandoned military bunkers (2013)Story and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Sound Design is the New Score (2019)Dialectic of Enlightenment (2020)Postmodernism, or, The cultural logic of late capitalism (1991)Dialectic of Enlightenment, 2011 (2011)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Korngold in America (2025)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The Black Atlantic: Modernity and Double Consciousness (1994)Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere (2006)As if History was Merely a Record : The pathology of nostalgia and the figure of the recording in contemporary popular cinema (2008)‘Same old song’: on audio-visual style in the films of Wes Anderson (2011)Illuminations: Essays and Reflections (1968)Anti-Oedipus: Capitalism and Schizophrenia (1978)Modernity at Large: Cultural Dimensions of Globalization. (1998)A Moist Heart: Love, Politics and China's Neoliberal Transition in the Films of Jia Zhangke (2009)Aspects of Urbanization in China : Shanghai, Hong Kong, Guangzhou (2012)Deleuze, the ‘(Si)neo-realist’ Break and the Emergence of Chinese Any-now(here)-spaces (2014)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Speech Acts (1969)Women, Fire, and Dangerous Things (1987)Empathy, Film, and the Brain (2014)Narratologie et sciences cognitives : une relation problématique* (2015)One Hundred Years of Photoplay: Hugo Münsterberg's Lasting Contribution to Cognitive Movie Psychology (2017)MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)PARADOXES OF PASTICHE: (2007)The End is Nigh (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1999Moving Pictures92 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2007But We're Men Aren't We!41 cited
  • 2008Transfigurations : Violence, Death and Masculinity in American Cinema40 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2007Film Noir's “Femme Fatales” Hard-Boiled Women: Moving Beyond Gender Fantasies30 cited
  • 2007The Independent Cinema of Jia Zhangke27 cited
  • 2016Materializing Film Music26 cited
  • 2003Film Noir Fascination: Outside History, but Historically So26 cited
  • 2017»Hate Speech« und Verletzbarkeit im digitalen Zeitalter26 cited
  • 2005Gender studies et études filmiques23 cited
  • 2007Tracing the City’s Scars22 cited
  • 2005Cities in Shade: Urban Geography and the Uses of Noir21 cited
  • 2016Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood20 cited
  • 2007

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking
20 cited