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The Sarah Siddons Audio Files: Romanticism and the Lost Voice
16 references·0 citing·27 second hop
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References

  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 2003The Audible Past2,011 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2006A Voice and Nothing More1,154 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire763 cited
  • 1999The acoustic world of early modern England: attending to the O-factor593 cited
  • 2007Spaces speak, are you listening?: experiencing aural architecture525 cited
  • 2000The Anthology and the Rise of the Novel327 cited
  • 2004New readings in theatre history312 cited
  • 2002Listening to Nineteenth-Century America241 cited
  • 1992The angel's cry: beyond the pleasure principle in opera135 cited
  • 2000Romantic Theatricality: Gender, Poetry, and Spectatorship99 cited
  • 2009The Ninth Bridgewater Treatise99 cited
  • 1943LV Nature to Advantage Dressed: Eighteenth-Century Acting97 cited
  • 2008Women as Hamlet: performance and interpretation in theatre, film and fiction72 cited
  • 1993Marc Baer . Theatre and Disorder in Late Georgian London. New York: Clarendon Press of Oxford University Press. 1992. Pp. xii, 291. $69.00

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