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Cited by

• 1997From Berlin to Bunker Hill: Urban Space, Late Modernity, and Film Noir in Fritz Lang's and Joseph Losey's M26 cited
• 2008Theorizing Amateur Cinema: Limitations and Possibilities22 cited
• 1997The City as the Country: The New York City Symphony from Rudy Burckhardt to Spike Lee18 cited
• 2018A DIY Come-On: A History of Optical Printing in Avant-Garde Cinema15 cited
• 2008Profane Illuminations: History and Collaboration in James Luna and Isaac Artenstein's The History of the Luiseño People11 cited
• 2009Jazz Modernism and Film Art: Dudley Murphy and Ballet mécanique8 cited
• 2018Introduction: Toward a Global History of Amateur Film Practices and Institutions7 cited
• 2018A Vernacular National Cinema: Amateur Filmmaking in Catalonia (1932–1936)7 cited
• 2005Restoration nation: motion picture archives and "American" film heritage7 cited
• 2007Unseen Cinema: Early American Avant-Garde Film 1894–1941 (review)6 cited
• 2012PITTSBURGH (1959): “Equilibriums of Paradox” and the Bicentennial City of Tomorrow2 cited