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T here is no difficulty nowadays finding something to read about some woman's art from somewhere in the world, but publishers and authors have by no means been attracted equally to women's creative achievements in all geographical areas. In that respect, these three books will reveal to many readers outside Australasia an unsuspected world of art. This is an art life informed both by reflection of and resistance to the dominant northern art tradition overlayed by an indigenous culture-in Australia's case the Aboriginal or koori people, in New Zealand's the Maori-which, while, it has been publicized widely in recent years, is only partially understandable outside its homeland. The three books tackle different but
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