Beautiful monsters: imagining the classic in musical media

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Musicology and Musical Analysis Cinema History and Criticism Literature, Musicology, and Cultural Analysis

Abstract

Contents Acknowledgments Introduction Part One. Registering the Classic 1. The Expressive Vernacular 2. Making Overtures 3. Yiddishkeit and the Musical Ethics of Cinema Part Two. Envisioning the Classic 4. Hearing Monsters 5. The Fantastic, the Picturesque, and the Dimensions of Nostalgia 6. Listening in Dark Places 7. Concertos, Symphonies, Rhapsodies (and an Opera) Conclusion: Sitting Down with Mnemosyne Notes Selected Bibliography Index

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