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Hubert Ogunde: The Making of Nigerian Theatre
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Cited by

  • 2017Nollywood: Spectatorship, Audience and the Sites of Consumption84 cited
  • 2003Local Policies and Global Forces: Multiliteracy and Africa's Indigenous Languages57 cited
  • 2006Political critique in Nigerian video films46 cited
  • 2012‘A Church in a Cinema Hall?’ Pentecostal Appropriation of Public Space in Nigeria31 cited
  • 2005Afrobeat!16 cited
  • 2019Nigerian evangelical film genres: the spectacle of the spiritual12 cited
  • 1996Theatre for Development as a Non‐formal Method of Education in Nigeria11 cited
  • 2003Mobilising Yoruba Popular Culture:Babangida Must Go11 cited
  • 2010Afrobeat,Fela and Beyond: Scenes, Style and Ideology10 cited
  • 2008Interviews with Amaka Igwe, Tunde Kelani, and Kenneth Nnebue9 cited
  • 1982The Samaru Projects: Street Theatre in Northern Nigeria9 cited
  • 2005The Appropriation of Traditional Musical Practices in Modern Yoruba Drama: A Case Study of Wole Soyinka's Death and the King's Horseman8 cited
  • 1993Improvisation as a performance strategy for African‐based theatre8 cited
  • 1997‘This is actually a good interpretation of modern civilisation’: popular theatre and the social imaginary in Ghana, 1946–668 cited

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  • 2020Politics of Succession in Nollywood Films, Saworoide and Ikoka6 cited