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Terror and Everyday Life: Singular Moments in the History of the Horror Film
0 references·16 citing·33 second hop
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  • 1997WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE128 cited
  • 2004Horror Film and Psychoanalysis35 cited
  • 2018Psychoanalysis and Film23 cited
  • 2000Fear and Loathing at the Cineplex: Gender Differences in Descriptions and Perceptions of Slasher Films23 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2007Para-Paracinema13 cited
  • 2010"Two Ways of Looking": The Critical Reception of 1940s Horror12 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2011What Can You Do in Your Dreams? Slasher Cinema as Youth Empowerment11 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film9 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2001Manifestations of the Literary Double in Modern Horror Cinema9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film

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9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited