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Van Gogh's studio practice
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Van Gogh's studio practice (2013)Van Gogh's studio practiceChemical Mapping of the Degradation of Geranium Lake in Paint Cross Sections by MALDI-MSI (2023)Chemical Mapping of the Degra…Nanoscale Analysis of Historical Paintings by Means of O‐PTIR Spectroscopy: The Identification of the Organic Particles in L′Arlésienne (Portrait of Madame Ginoux) by Van Gogh (2021)Nanoscale Analysis of Histori…Altered identity: fleeting colors and obscured surfaces in Van Gogh’s Landscapes in Paris, Arles, and Saint-Rémy (2021)Altered identity: fleeting co…The issue of eosin fading: A combined spectroscopic and mass spectrometric approach applied to historical lakes (2020)The issue of eosin fading: A …Pigment analysis in four paintings by Vincent van Gogh by portable X-ray fluorescence (pXRF) (2020)Pigment analysis in four pain…Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard (2020)Molecular Fluorescence Imagin…Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints (2018)Reconstructing Van Gogh’s pal…Protecting and stimulating effect on the degradation of eosin lakes. Part 1: Lead white and cobalt blue (2018)Protecting and stimulating ef…Chemical Mapping by Macroscopic X‐ray Powder Diffraction (MA‐XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk (2018)Chemical Mapping by Macroscop…Digitally reconstructing Van Gogh's Field with Irises near Arles part 3: Determining the original colors (2017)Digitally reconstructing Van …“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)“Paintings Fade Like Flowers”…Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting (2015)Plumbonacrite Identified by X…Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron‐Radiation‐Based X‐ray Techniques (2015)Evidence for Degradation of t…Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes (2014)Hyper-Spectral Acquisition on…Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh (2014)Full spectral XANES imaging u…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. Part 5. Effects of Nonoriginal Surface Coatings into the Nature and Distribution of Chromium and Sulfur Species in Chrome Yellow Paints (2014)Degradation Process of Lead C…Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)Beyond the color: A structural insight to eosin-based lakes (2017)Damages Induced by Synchrotron Radiation-Based X-ray Microanalysis in Chrome Yellow Paints and Related Cr-Compounds: Assessment, Quantification, and Mitigation Strategies (2020)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium: A Dictionary of Historical Pigments (2007)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light (2015)An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Materials science challenges in paintings (2018)Towards a Surface Enhanced Raman Scattering (SERS) spectra database for synthetic organic colourants in cultural heritage. The effect of using different metal substrates on the spectra (2018)Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Disclosing the Binding Medium Effects and the Pigment Solubility in the (Photo)reduction Process of Chrome Yellows (PbCrO4/PbCr1– x S x O4) (2019)Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning (2019)Laser-PIXE using laser-accelerated proton beams (2019)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses (2020)Insights into the yellowing of drying oils using fluorescence spectroscopy (2020)National Gallery Technical Bulletin (1979)Fluorescence of Paint and Varnish Layers (Part III) (1982)Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)New insights into the fading mechanism of Geranium lake in painting matrix” (2020)Lighting Up the Heritage Sciences: The Past and Future of Laser-Induced Fluorescence Spectroscopy in the Field of Cultural Goods (2023)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment (2012)Investigating Brazilian Paintings from the 19th Century by MA-XRF (2023)X‐Ray Techniques Dedicated to Materials Characterization in Cultural Heritage (2023)Infrared Spectroscopy in Conservation Science (2000)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Comparison of ATR–FTIR and O-PTIR Imaging Techniques for the Characterisation of Zinc-Type Degradation Products in a Paint Cross-Section (2022)Emerging nuclear methods for historical painting authentication: AMS-14C dating, MeV-SIMS and O-PTIR imaging, global IBA, differential-PIXE and full-field PIXE mapping (2022)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)From macro to micro: An advanced macro X-ray fluorescence (MA-XRF) imaging approach for the study of painted surfaces (2017)Cultural and Natural Heritage at the ESRF: Looking Back and to the Future (2019)Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods (2022)Pigment Compendium (2008)Unravelling the spatial dependency of the complex solid-state chemistry of Pb in a paint micro-sample from Rembrandt's Homer using XRD-CT (2019)
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  • 2014Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh45 cited
  • 2014Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. Part 5. Effects of Nonoriginal Surface Coatings into the Nature and Distribution of Chromium and Sulfur Species in Chrome Yellow Paints44 cited
  • 2017“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures44 cited
  • 2015Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting43 cited
  • 2018Chemical Mapping by Macroscopic X‐ray Powder Diffraction (MA‐XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk40 cited
  • 2021Nanoscale Analysis of Historical Paintings by Means of O‐PTIR Spectroscopy: The Identification of the Organic Particles in L′Arlésienne (Portrait of Madame Ginoux) by Van Gogh37 cited
  • 2018Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints31 cited
  • 2020Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard28 cited
  • 2020Pigment analysis in four paintings by Vincent van Gogh by portable X-ray fluorescence (pXRF)25 cited
  • 2015Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron‐Radiation‐Based X‐ray Techniques25 cited

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  • 2020The issue of eosin fading: A combined spectroscopic and mass spectrometric approach applied to historical lakes23 cited
  • 2017Digitally reconstructing Van Gogh's Field with Irises near Arles part 3: Determining the original colors22 cited
  • 2014Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes21 cited
  • 2023Chemical Mapping of the Degradation of Geranium Lake in Paint Cross Sections by MALDI-MSI14 cited
  • 2018Protecting and stimulating effect on the degradation of eosin lakes. Part 1: Lead white and cobalt blue14 cited
  • 2021Altered identity: fleeting colors and obscured surfaces in Van Gogh’s Landscapes in Paris, Arles, and Saint-Rémy13 cited