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The critical reception of Beethoven's compositions by his German contemporaries
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The critical reception of Beethoven's compositions by his German contemporaries (1999)The critical reception of Beethoven's com…The Cambridge Companion to the Eroica Symphony (2020)The Cambridge Companion to th…The Beethoven Syndrome (2020)The Beethoven SyndromeThe Cambridge Haydn Encyclopedia (2019)The Cambridge Haydn Encyclope…Beethoven 1806 (2019)Beethoven 1806HOFFMANN'S MUSICAL MODERNITY AND THE PURSUIT OF SENTIMENTAL UNITY (2018)HOFFMANN'S MUSICAL MODERNITY …M eyer's Anvil: Revisiting the Schema Concept (2012)M eyer's Anvil: Revisiting th…The construction of Beethoven (2001)The construction of BeethovenAn essay concerning human understanding, 1690. (1948)The Interpretation of Cultures (1974)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)Do Artifacts Have Politics? (2017)Musical Syntax I: Theoretical Perspectives (2018)Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)Tropics of Discourse: Essays in Cultural Criticism (1979)Tropics of Discourse (1985)The Content of the Form: Narrative Discourse and Historical Representation. (1987)Extraordinary Measures (2011)Introduction (2011)The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century (2012)The Philosophical Discourse of Modernity (1985)The Philosophical Discourse of Modernity (1991)Critique of the Power of Judgment (2000)Distinction: A Social Critique of the Judgement of Taste. (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Reassembling the Social (2005)Nineteenth-century music (1989)The imaginary museum of musical works: an essay in the philosophy of music (1993)The New Grove dictionary of music and musicians (2001)Sources of the self: the making of the modern identity (1990)The Structure of Scientific Revolutions (1996)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Musicking: the meanings of performing and listening (1999)
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Cited by

  • 2012M eyer's Anvil: Revisiting the Schema Concept83 cited
  • 2019Beethoven 180636 cited
  • 2001The construction of Beethoven35 cited
  • 2020The Cambridge Companion to the Eroica Symphony21 cited
  • 2019The Cambridge Haydn Encyclopedia18 cited
  • 2020The Beethoven Syndrome16 cited
  • 2018HOFFMANN'S MUSICAL MODERNITY AND THE PURSUIT OF SENTIMENTAL UNITY13 cited

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