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The Long Journey: Maternal Trauma, Tears and Kisses in a Work by Chantal Akerman
3 references·1 citing·15 second hop
The Long Journey: Maternal Trauma, Tears and Kisses in a Work by Chantal Akerman (2010)The Long Journey: Maternal Trauma, Tears …24 ‘History Beyond the Pleasure Principle: Some Thoughts on the Representation of Trauma’ (2003)24 ‘History Beyond the Pleasu…Family Frames: Photography, Narrative and Postmemory (1997)Family Frames: Photography, N…On Traumatic Knowledge and Literary Studies (1995)On Traumatic Knowledge and Li…Between women: Gesture, intermediality and intersubjectivity in the installations of Agnès Varda and Chantal Akerman (2013)Between women: Gesture, inter…Phenomenology of Perception (1982)A cinema in the gallery, a cinema in ruins (2009)Screens: viewing media installation art (2010)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Anxiety of Influence: A Theory of Poetry (1974)Doctors' stories: the narrative structure of medical knowledge (1991)Introduction: Postcolonial Trauma Novels (2008)Trauma theory and postcolonial literary studies (2011)Speak, Trauma: Toward a Revised Understanding of Literary Trauma Theory (2014)Photovoice Ethics: Perspectives from Flint Photovoice (2001)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)The Birth of the 'Kodak Moment': Institutional Entrepreneurship and the Adoption of New Technologies (2005)A Defensive Eye:Anxiety, Fear and Form in the Poetry of Robert Frost (2008)Keeping History at Bay: Absent Presences in Three Recent Jewish American Novels (2011)Acerca de los procesos de reparación en obras performativas (2017)
this work references cited by second hop

References

  • 1997Family Frames: Photography, Narrative and Postmemory2,318 cited
  • 1995On Traumatic Knowledge and Literary Studies330 cited
  • 200324 ‘History Beyond the Pleasure Principle: Some Thoughts on the Representation of Trauma’41 cited

Cited by

  • 2013Between women: Gesture, intermediality and intersubjectivity in the installations of Agnès Varda and Chantal Akerman5 cited

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