The motor car and popular culture in the 20th century

Abstract

Contents: Introduction, David Thoms, Len Holden, Tim Claydon Part One: The car as image: a Oh what a feeling!a (TM) - the literatures of the car, Nicholas Zurbrugg More than a marque: The car as symbol: aspects of culture and ideology, Len Holden Motor car ownership in 20th-century Britain: a matter of convenience or a marque of status, David Thoms a Savage servility: cars in the psyche, Sebastian Lockwood Mad Max and Aboriginal automation: putting cars to use in contemporary Australian road films and narratives, Ken Gelder Part Two: Entertainment and Leisure: a Poop, poop!a (TM) - an early case of joy-riding by an upper class amphibian, Kathleen Bell Automania: animated automobiles 1950a 68, Paul Wells Cars and girls - the car, masculinity and pop music, Duncan Heining Spectacles of speed and endurance: the formative years of motor racing in Europe, Daryl Adair Classic and desirable: the mystique of the British sports car, Steven Morewood a Four wheels good two wheels bad: the motor cycle versus the light motor car 1919a 59, Steve Koerner Taste, status and middle class motoring in interwar Britain, Sean Oa (TM)Connell Part Three: Producing and Selling Cars: Shop floor culture in the Coventry motor industry, c.1896a 1920, Brad Beaven Cars, culture and war, Tom Donnelly Images of disorder: car workersa (TM) militancy and the representation of industrial relations in Britain, 1950a 79, Tim Claydon Imagination and passivity in leisure: Coventry car workers and their families from the 1920s to the 1990s, Paul Thompson a Mini loves dressing upa (TM): selling cars to women, Jenny Rice and Carol Saunders Transports of difference and delight: advertising and the motor car in 20th-century Britain, Tim Oa (TM)Sullivan.

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