SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Native North American Art
0 references·16 citing·53 second hop
Native North American Art (1998)Native North American ArtCeramic technology. How to investigate surface finishing (2020)Ceramic technology. How to in…Collections Care Informed by Native American Perspectives: Teaching the Next Generation (2017)Collections Care Informed by …Affective Presence: The Metonymical Catalogue (2016)Affective Presence: The Meton…Shamanism Influence in Inuit Art-Dorset Period (2015)Shamanism Influence in Inuit …Prehistoric Art in Europe: A Deep-Time Social History (2015)Prehistoric Art in Europe: A …No Word for Art in Our Language? Old Questions, New Paradigms (2012)No Word for Art in Our Langua…Moving Beyond the Expected: Representation and Presence in a Contemporary Native Arts Museum (2012)Moving Beyond the Expected: R…Duodji: A New Step for Art Education (2012)Duodji: A New Step for Art Ed…Geographies of Slave Consumption (2011)Geographies of Slave Consumpt…Materiality and Collective Experience: Sewing as Artistic Practice in Works by Marie Watt, Nadia Myre, and Bonnie Devine (2010)Materiality and Collective Ex…American Indian Art and Literature Today: survivance and tragic wisdom (2010)American Indian Art and Liter…Archive and Affect in Contemporary Photography (2009)Archive and Affect in Contemp…Threads: Collecting Cloth in the North American French Colonies (2008)Threads: Collecting Cloth in …Into the mainstream: Shifting authenticities in art (2007)Into the mainstream: Shifting…Placing Aboriginal Art at the National Gallery of Canada (2006)Placing Aboriginal Art at the…Le passé recomposé? (2005)Le passé recomposé?The Social Life of Things (1986)The Predicament of Culture (1988)Primitive Art in Civilized Places (1992)An Indigenous Reframing of Art Education Historical Research: Acknowledging Native American Spiritual Values (2018)Decolonizing Collections‐Based Learning:Experiential Observation as an Interdisciplinary Framework for Object Study (2018)Voix autochtones au Musée de la civilisation de Québec (2018)Fugitive Poses: Native American Indian Scenes of Absence and Presence (1998)Applying Indigenizing Principles of Decolonizing Methodologies in University Classrooms (2017)The Whanganui River as Te Awa Tupua: Place‐based law in a legally pluralistic society (2017)The Invention of Art (2001)Reclaiming Indigenous Voice and Vision (2007)Decolonizing Methodologies: Research and Indigenous Peoples (2013)Documents of Socially Engaged Art (2021)Toward Place-Specific and Situational Arctic Visual Culture Learning in Finnish Art Teacher Education (2021)The Body and the Archive (1986)Archive Fever: A Freudian Impression (1995)Empathic Vision (2005)Radical feminism and punk: visual cultures of affect and disruption (2021)“It does take a toll on you”: The role of affect in shaping archivists’ encounters with records about the HIV/AIDS epidemic (2025)Unpacking culture : art and commodity in colonial and postcolonial worlds (1999)Painting Culture (2002)Paris primitive: Jacques Chirac's Museum on the Quai Branly (2008)Four kinds of authenticity? Regarding Nicaraguan pottery in Scandinavian museums, 2006–08 (2009)Multiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan (2016)The Anthropology of Art, After the End of Art: Contesting the Art-Culture System (2019)Appropriating the State on the Council Estate (1988)The Cambridge history of Western textiles (2004)“A Wild Taste”: Food and Colonialism in Eighteenth-Century Louisiana (2010)As If She Were Free (2020)Affective atmospheres (2009)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Archaeology and the Senses (2013)Objekte im Netz (2020)On the Emerging Supremacy of Structured Digital Data in Archaeology: A Preliminary Assessment of Information, Knowledge and Wisdom Left Behind (2021)For the people: How we make online LAM collections more democratized (2024)Communities of Practice (1998)Communities of practice learning, meaning, and identity (1999)Reassembling the Social (2005)BECOMING GENDERED IN EUROPEAN PREHISTORY: WAS NEOLITHIC GENDER FUNDAMENTALLY DIFFERENT? (2017)Aegean Bronze Age Art (2020)Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe (2020)Embodiment as a Paradigm for Anthropology (1990)Making Representations: Museums in the Post-Colonial Era (1996)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Posterity Is Now (2019)Toward Legal, Ethical, and Culturally Informed Care of Animal Remains in American Museum Collections (2024)Perspectives, Policies, and Practices: Challenges and Pathways for Culturally Sensitive Collections Care (2025)Ceramics for the archaeologist (1956)Pottery Technology: Principles and Reconstruction (1981)Pottery Analysis: A Sourcebook. (1990)Ceramic investigation: how to perform statistical analyses (2020)Ceramic technology: how to characterize terra sigillata ware (2020)Isotopic investigations of Chinese ceramics (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012No Word for Art in Our Language? Old Questions, New Paradigms42 cited
  • 2020Ceramic technology. How to investigate surface finishing41 cited
  • 2015Prehistoric Art in Europe: A Deep-Time Social History39 cited
  • 2011Geographies of Slave Consumption39 cited
  • 2007Into the mainstream: Shifting authenticities in art25 cited
  • 2010American Indian Art and Literature Today: survivance and tragic wisdom18 cited
  • 2016Affective Presence: The Metonymical Catalogue18 cited
  • 2017Collections Care Informed by Native American Perspectives: Teaching the Next Generation15 cited
  • 2012Duodji: A New Step for Art Education11 cited
  • 2009Archive and Affect in Contemporary Photography10 cited
  • 2006Placing Aboriginal Art at the National Gallery of Canada9 cited
  • 2012Moving Beyond the Expected: Representation and Presence in a Contemporary Native Arts Museum4 cited
  • 2010Materiality and Collective Experience: Sewing as Artistic Practice in Works by Marie Watt, Nadia Myre, and Bonnie Devine3 cited
  • 2008Threads: Collecting Cloth in the North American French Colonies3 cited
  • 2015

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Shamanism Influence in Inuit Art-Dorset Period
1 cited
  • 2005Le passé recomposé?1 cited