SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Copper as canvas: two centuries of masterpiece paintings on copper, 1575-1775
0 references·14 citing·38 second hop
Copper as canvas: two centuries of masterpiece paintings on copper, 1575-1775 (1999)Copper as canvas: two centuries of master…5. Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck (2021)5. Yellow, Vermilion, and Gol…Non-Destructive and portable analyses helping the study and conservation of a Saraceni copper plate painting in the São Paulo museum of art (2020)Non-Destructive and portable …Multi-Spectroscopic Approach for the Non-invasive Characterization of Paintings on Metal Surfaces (2020)Multi-Spectroscopic Approach …A Brief History of Metal Soaps in Paintings from a Conservation Perspective (2019)A Brief History of Metal Soap…New stages for new Spanish painting (2018)New stages for new Spanish pa…Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources (2017)Jan Davidsz. de Heem (1606–16…Thomas de Keyser’s Equestrian Portrait of Pieter Schout, 1660 (2016)Thomas de Keyser’s Equestrian…Step 3: Assessing the Climate Risks to the Moveable Collection (2016)Step 3: Assessing the Climate…Paintings on copper by the Flemish artist Frans Francken II: PIXE characterization by external microbeam (2015)Paintings on copper by the Fl…On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop (2015)On the Use of the Unusual Gre…Fire, Smoke And Vapour. Jan Brueghel’s ‘Poetic Hells’: ‘Ghespoock’ In Early Modern European Art (2008)Fire, Smoke And Vapour. Jan B…The degradation of oil painted copper surfaces (2006)The degradation of oil painte…Peeter Stas: an Antwerp coppersmith and his marks (1587-1610) (1998)Peeter Stas: an Antwerp coppe…Antwerp artists and the practice of painting on copper (1998)Antwerp artists and the pract…The golden compasses : a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp (1969)Arte de la pintura: 10000 (1990)Historical Painting Techniques, Materials, and Studio Practice (1999)Blake's Heavy Metal The History, Weight, Uses, Cost, and Makers of His Copper Plates (2007)Kunstuitvoer in de 17e eeuw te Antwerpen de firma Forchoudt (1931)Antwerpse kunstinventarissen uit de zeventiende eeuw (1984)Antwerps beeldhouwwerk: over de praktijk van het merktekenen (1990)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)The Characterization of Metal Soaps (2003)Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM‐EDS (2014)Ion beam analysis of art works: 14 years of use in the Louvre (2004)Conservation of Easel Paintings (2013)Identification and imaging of modern paints using Secondary Ion Mass Spectrometry with MeV ions (2017)Blue pigments in Cave 256, Mogao Grottoes: a systematic analysis of murals and statues in Five dynasties, Song Dynasty and Qing Dynasty (2022)External Beam IBA Measurements for Cultural Heritage (2023)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques (2016)On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments (2021)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)De vroedschap van Amsterdam 1578-1795 (1903)Bronnen tot de geschiedenis der Leidsche universiteit (1913)Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700 (1949)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Pigment Compendium (2008)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)A computational model for chemo-mechanical degradation of historical oil paintings due to metal soap formation (2019)Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring (2020)Reviving degraded colors of yellow flowers in 17th century still life paintings with macro- and microscale chemical imaging (2022)Painting Materials: A Short Encyclopedia (2011)The Ins and Outs of 14C Dating Lead White Paint for Artworks Application (2020)ATR-FTIR spectroscopic imaging of white crusts in cross sections from oil cartoons by Edward Poynter in the Heritage Collections at UK Parliament (2023)Correlated x-ray fluorescence and ptychographic nano-tomography on Rembrandt’s The Night Watch reveals unknown lead “layer” (2023)Painting Materials : a Short Encyclopedia (1943)Pigment Compendium: A Dictionary of Historical Pigments (2007)Identification of pigments by multispectral imaging; a flowchart method (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop33 cited
  • 2017Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources31 cited
  • 2006The degradation of oil painted copper surfaces24 cited
  • 2019A Brief History of Metal Soaps in Paintings from a Conservation Perspective22 cited
  • 2020Non-Destructive and portable analyses helping the study and conservation of a Saraceni copper plate painting in the São Paulo museum of art18 cited
  • 2015Paintings on copper by the Flemish artist Frans Francken II: PIXE characterization by external microbeam16 cited
  • 2020Multi-Spectroscopic Approach for the Non-invasive Characterization of Paintings on Metal Surfaces13 cited
  • 1998Antwerp artists and the practice of painting on copper9 cited
  • 2016Thomas de Keyser’s Equestrian Portrait of Pieter Schout, 16602 cited
  • 1998Peeter Stas: an Antwerp coppersmith and his marks (1587-1610)1 cited
  • 2016Step 3: Assessing the Climate Risks to the Moveable Collection1 cited
  • 2018New stages for new Spanish painting1 cited
  • 20215. Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

1 cited
  • 2008Fire, Smoke And Vapour. Jan Brueghel’s ‘Poetic Hells’: ‘Ghespoock’ In Early Modern European Art1 cited