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Carnival and the formation of a Caribbean transnation
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Carnival and the formation of a Caribbean transnation (2003)Carnival and the formation of a Caribbean…West African Masking Traditions and Diaspora Masquerade Carnivals: History, Memory, and Transnationalism (2020)West African Masking Traditio…Exploring Masquerade Dress at Trinidad Carnival (2014)Exploring Masquerade Dress at…Ethnic identity and elite idyll: a comparison of carnival in Buenos Aires, Argentina and Montevideo, Uruguay, 1900–1920 (2010)Ethnic identity and elite idy…De Jamette in We: Redefining Performance in Contemporary Trinidad Carnival (2010)De Jamette in We: Redefining …Feteing as Cultural Resistance? The Soca Posse in the Caribbean Diaspora (2008)Feteing as Cultural Resistanc…The First Generation (2007)The First GenerationGenerational Perspectives (2007)Generational Perspectives“COME TO LIFE”: AUTHENTICITY, VALUE, AND THE CARNIVAL AS CULTURAL COMMODITY IN TRINIDAD AND TOBAGO (2007)“COME TO LIFE”: AUTHENTICITY,…‘Dis Slackness Ting’: A Dichotomizing Master Narrative in Jamaican Dancehall (2005)‘Dis Slackness Ting’: A Dicho…Making space: Kingston's Dancehall culture and its philosophy of ‘boundarylessness’1 (2004)Making space: Kingston's Danc…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Where are you really from?: Asian Americans and identity denial. (2005)The Anthropology of Performance (1986)The Politics and Poetics of Transgression (1988)Unbearable Weight: Feminism, Western Culture and the Body. (1995)Carne Vale (Goodbye to Flesh?): Caribbean Carnival, Notions of the Flesh and Christian Ambivalence about the Body (2011)Staged Authenticity: Arrangements of Social Space in Tourist Settings (1973)The Tourist: A New Theory of the Leisure Class. (1977)The Wretched of the Earth (2000)Nation branding or marketization?: K-Classic and Korean classical musicians in an era of globalization (2018)When Money is not Enough: Reggae, Dancehall, and Policy in Jamaica (2018)Disjuncture and Difference in the Global Cultural Economy (1990)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Last Night a DJ Saved My Life: The History of the Disc Jockey (1999)“Slackness Personified,” Historicized and Delegitimized (2006)Public Bodies: Virginity Testing, Redemption Songs, and Racial Respect in Jamaica (2008)Affective cosmopolitanisms in Singapore: Dancehall and the decolonisation of the self (2020)Afro-Latin America, 1800-2000 (2004)Rabelais and his world (2020)The Interpretation of Cultures (1974)Naturalistic inquiry (1985)Qualitative evaluation and research methods (1990)Model for Designing Affiliated Clothes with Local Identity (2018)“Sharp as a Tack:” Acquisition, Influences, and Meaning of African American Church Dress (2023)Stuart Hall: Critical Dialogues in Cultural Studies (2006)There Ain't No Black in the Union Jack (2013)Sound System Performances and the Localization of Dancehall in Finland (2014)2. The Interpretation of Dreams (1913)Europe and the People without History (1984)Modernization and Postmodernization: Cultural, Economic, and Political Change in 43 Societies (1997)Black metallurgists and the making of the industrial revolution (2023)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Modernity at Large: Cultural Dimensions of Globalization. (1998)
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Cited by

  • 2007“COME TO LIFE”: AUTHENTICITY, VALUE, AND THE CARNIVAL AS CULTURAL COMMODITY IN TRINIDAD AND TOBAGO31 cited
  • 2004Making space: Kingston's Dancehall culture and its philosophy of ‘boundarylessness’127 cited
  • 2010De Jamette in We: Redefining Performance in Contemporary Trinidad Carnival22 cited
  • 2020West African Masking Traditions and Diaspora Masquerade Carnivals: History, Memory, and Transnationalism14 cited
  • 2010Ethnic identity and elite idyll: a comparison of carnival in Buenos Aires, Argentina and Montevideo, Uruguay, 1900–192014 cited
  • 2005‘Dis Slackness Ting’: A Dichotomizing Master Narrative in Jamaican Dancehall11 cited
  • 2014Exploring Masquerade Dress at Trinidad Carnival6 cited
  • 2008Feteing as Cultural Resistance? The Soca Posse in the Caribbean Diaspora6 cited
  • 2007The First Generation0 cited
  • 2007Generational Perspectives0 cited

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