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Projecting the Shadow: The Cyborg Hero in American Film
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  • 2004A Media Ecology Review68 cited
  • 1996Civilized Colonialism:Pocahontasas Neocolonial Rhetoric68 cited
  • 2002Memory, war and American identity:Saving Private Ryanas cinematic jeremiad52 cited
  • 2007Hunting the Devil: Democracy's Rhetorical Impulse to War47 cited
  • 2002"Mother isn't quite herself today:" myth and spectacle in The Matrix32 cited
  • 2000We Are Borg: Cyborgs and the Subject of Communication26 cited
  • 20215. “These Violent Delights Have Violent Ends”21 cited
  • 2001Technology and mythic narrative:The matrixas technological hero‐quest17 cited
  • 2012Split Shadows14 cited
  • 1997The Evolution of Cyborg Consciousness14 cited
  • 2009How America Learned to Stop Worrying and Cynically ENJOY! The Post-9/11 Superhero Zeitgeist13 cited
  • 2000Singing over the bones: James Cameron'sTitanic13 cited
  • 2003Technophobic Themes In Pre-1990 Computer Films8 cited
  • 2010New Technologies, Ancient Archetypes: TheBoston Globe'sDiscursive Construction of Internet Connectivity in Africa8 cited
  • 2009Waiting for the Barbarians: HBO'sDeadwoodas a Post-9/11 Ritual of Disquiet

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6 cited
  • 1998Termination or Transformation? The "Terminator" Films and Recent Changes in the U. S. Auto Industry6 cited