Figuration/abstraction : strategies for public sculpture in Europe 1945-1968

Abstract

Contents: Introduction, Charlotte Benton Soviet war memorials in Eastern Europe, 1945-74, Reuben Fowkes Czechoslovak public sculpture and its context: from 1945 to the 'Realizations' exhibition, 1961, Marie KlimeA!ovA! Public sculpture in Poland in the 1960s: context and practice, Hanna Kotkowska-Bareja The metamorphosis of Liberty: the monument to Hungarian liberation, Geza Boros Modernity and tradition: public sculpture by Gerhard Marcks, 1949-67, Daniel Koep The advantages of abstract art: monoliths and erratic boulders as monuments and (public) sculptures, Christian Furhmeister National division as a formal problem in West German public sculpture: memorials to German unity in MA1/4nster and Berlin, Godehard Janzing Figuration and abstraction in Berlin in the 1960s: two modi in East-West art and art politics, Gabi Dolff-BonekAmper Invisible topographies and deafening silences: looking for the Memorial to the Victims of the Deportation in Paris, Shelley Hornstein Oskar Hansen, Henry Moore and the Auschwitz Memorial debates in Poland, 1958-59, Katarzyna Murawska-Muthesius The return to nature: Finnish monumental sculpture in the 1950s and 1960s, Liisa Lindgren Continuity: Max Bill's public sculpture and the representation of money, Philip Ursprung Documents Biographies Select bibliography Index.

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