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Cited by

• 2015The Framing of Characters in Popular Movies56 cited
• 2008Narrative versus style: Effect of genre-typical events versus genre-typical filmic realizations on film viewers’ genre recognition36 cited
• 2010The Body of Love in Almodóvar's Cinema: Metaphor and Metonymy of the Body and Body Parts25 cited
• 2017Mise en Scène22 cited
• 2009Horror to the Extreme: Changing Boundaries in Asian Cinema21 cited
• 2014Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing?19 cited
• 2014Blood Splats and Bodily Collapse: Reported Realism and the Perception of Violence in Combat Films and Video Games15 cited
• 2009Nothing counts: shot and event in Werckmeister Harmonies9 cited
• 2008A new look at the concept of style in film: the origins and development of the problem–solution model9 cited
• 2016The Aesthetics of Boredom: Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia7 cited
• 2007Der computeranimierte Spielfilm7 cited
• 2017Theo Angelopoulos's O Thiasos/The Travelling Players (1975) and Oi Kynigoi/The Hunters (1977) and How They Affect the Brechtian Project6 cited
• 2015Shaping Dreams: Design Ideas and Design Fiction in Movie and Television Production Design6 cited