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En travesti: women, gender subversion, opera
0 references·16 citing·39 second hop
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Cited by

  • 2014Anthropology and Voice257 cited
  • 2012The Cambridge Companion to Opera Studies67 cited
  • 1999Popular Culture, Public and Private Fantasies: Femininity and Fetishism in David Cronenberg's "M. Butterfly"53 cited
  • 2020Carmen Abroad42 cited
  • 2018Female Singers on the French Stage, 1830–184831 cited
  • 2020The Return of theHabanera:Carmen’sEarly Reception in Latin America30 cited
  • 1999Victor Capoul, Marguerite Olagnier's "Le Saïs", and the Arousing of Female Desire25 cited
  • 2006Interdisciplinary Opera Studies23 cited
  • 2004‘When a woman speaks the truth about her body’: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography22 cited
  • 2015Divas and Divos20 cited
  • 2009Mechanism and Tradition in Puccini's Turandot18 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 2020Carmenin the Midi Amphitheatres: A ‘Tauro-Comique’ Spectacle17 cited
  • 2020Carmenat Home and Abroad17 cited
  • 2012‘Too much music’: the media of opera16 cited

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2021
The Oxford Handbook of Queer Cinema
14 cited