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Cosmetic Ontologies, Cosmetic Subversions: Articulating Black Beauty and Humanity in Luis de Góngora’s “En la fiesta del Santísimo Sacramento”
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References

  • 1992Black looks: race and representation4,673 cited
  • 2020Rabelais and his world3,421 cited
  • 1982The Dialogic Imagination. Four Essays by M. M. Bakhtin2,360 cited
  • 2017Popular Culture in Early Modern Europe820 cited
  • 1989Tesoro de la lengua castellana o española557 cited
  • 2004Appropriating blackness: performance and the politics of authenticity509 cited
  • 1995Orphans of Petrarch: poetry and theory in the Spanish Renaissance332 cited
  • 2006Black Africans in Renaissance Europe270 cited
  • 1997:Things of Darkness: Economies of Race and Gender in Early Modern England218 cited
  • 1993Medieval Misogyny and the Invention of Western Romantic Love.162 cited
  • 1991Culture and Control in Counter-Reformation Spain131 cited
  • 2021Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets109 cited
  • 1996Beauty and the Beast of Whiteness: Teaching Race and Gender104 cited
  • 2009Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity101 cited
  • 2006Cosmetics in Shakespearean and Renaissance Drama90 cited
  • 1996La imagen de los negros en el teatro del Siglo de Oro

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88 cited

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  • 2016Nuptials Gone Awry, Empire in Decay: Crisis, Lo Cursi, and the Rhetorical Inventory of Blackness in Quevedo's "Boda de negros"27 cited