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6 Notes on Contributors 8 Chapter 1 Being British and Going ... Somewhere Lisa Tickner and David Peters Corbett 18 Chapter 2 'The morrow we left behind': Landscape and the Rethinking of Modernism, 1939-53 Chris Stephens 36 Chapter 3 Sculpture for the Hand: Herbert Read in the Studio of Kurt Schwitters Megan R. Luke 54 Chapter 4 Science, Art and Landscape in the Nuclear Age Catherine Jolivette 72 Chapter 5 Photography into Building in Post-war Architecture: The Smithsons and James Stirling Claire Zimmerman 90 Chapter 6 Realism, Brutalism, Pop Alex Potts 116 Chapter 7 The Independent Group's 'Anthropology of Ourselves' Catherine Spencer 138 Chapter 8 Dada's Mama: Richard Hamilton's Queer Pop Jonathan D. Katz 156 Chapter 9 Francis Bacon: Painting after Photography Martin Hammer 174 Chapter 10 Vulgar Pictures: Bacon, de Kooning, and the Figure under Abstraction Andrew R. Lee 196 Chapter 11 'Export Britain': Pop Art, Mass Culture and the Export Drive Lisa Tickner 222 Chapter 12 Painting and Sculpture of a Decade '54-'64 Revisited Andrew Stephenson 244 Chapter 13 Varieties of Belatedness and Provincialism: Decolonization and British Pop Leon Wainwright 265 Index
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