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Cited by

• 2012THE END OF THE ART CONNOISSEUR? EXPERTS AND KNOWLEDGE PRODUCTION IN THE VISUAL ARTS IN THE DIGITAL AGE53 cited
• 2016Painting and Publishing as Cultural Industries. The Fabric of Creativity in the Dutch Republic, 1580-180039 cited
• 2006Chapter 3 The History of Art Markets29 cited
• 2014THE LABOR MARKET IN THE ART SECTOR OF BAROQUE ROME23 cited
• 2019Artworks without names: an insight into the market for anonymous paintings22 cited
• 2015The Market for Paintings in P aris between R ococo and Romanticism20 cited
• 2019Imperfect Data, Art Markets and Internet Research14 cited
• 2021Imagineering, or what Images do to People: Violence and the Spectacular in the Seventeenth-Century Dutch Republic7 cited
• 2012Mastering the Connoisseur's Eye: Paintings, Criticism, and the Canon in Dutch and Flemish Travel Culture, 1600-17506 cited
• 2018Living Together in the City: Social Relationships Between Norm and Practice6 cited
• 2019Intermediaries and the Market: Hans Rottenhammer’s Use of Networks in the Copper Painting Market4 cited
• 2016Fictions of Abundance in Early Modern Madrid: Hospitality, Consumption, and Artistic Identity in the Work of Juan van der Hamen y León2 cited
• 2023The Influence of Dutch Genre Painting in Emblematic Prints: Jan Luyken’s Des Menschen, Begin, Midden en Einde (1712)