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Enter The Body: Women and Representation on Shakespeare's Stage
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Cited by

  • 2003Shakespeare and the Force of Modern Performance139 cited
  • 2004:Shakespeare and the Force of Modern Performance96 cited
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  • 2007The Local and the Global49 cited
  • 2007Shakespeare and the Idea of the Book40 cited
  • 2019Still Shakespeare and the Photography of Performance39 cited
  • 2008Shakespeare, love and service36 cited
  • 2012Rehearsal: The Pleasures of the Flesh32 cited
  • 2020Shakespearean Futures19 cited
  • 2016Discandying Cleopatra: Preserving Cleopatra’s Infinite Variety in Shakespeare’s Antony and Cleopatra10 cited
  • 2007Early Modern Tragedy, Gender and Performance, 1984–200010 cited
  • 2009Embodied Intersubjectivity and the Creation of Early Modern Character6 cited
  • 2018The Convention of the Boy Actor in Early Modern Tragedies6 cited

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