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An Illustrated History of the Horror Film
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An Illustrated History of the Horror Film (1967)An Illustrated History of the Horror FilmMusic in the Age of Anxiety: American Music in the Fifties (2016)Music in the Age of Anxiety: …Whatever happened to the ‘mad, bad’ scientist? Overturning the stereotype (2014)Whatever happened to the ‘mad…Terror in Horror Genres: The Global Media and the Millennial Zombie (2012)Terror in Horror Genres: The …Relocating Lewton: Cultural Distinctions, Critical Reception, and the Val Lewton Horror Films (2012)Relocating Lewton: Cultural D…"Two Ways of Looking": The Critical Reception of 1940s Horror (2010)"Two Ways of Looking": The Cr…‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946) (2009)‘From grade B thrillers to de…THE ALCHEMIST IN FICTION: THE MASTER NARRATIVE (2007)THE ALCHEMIST IN FICTION: THE…Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture (1999)Sleaze Mania, Euro-Trash, and…?Life isn't yet over?: Older heroines in American popular cinema of the 1930s and 1970s/80s (1989)?Life isn't yet over?: Older …Effects of an opposite-gender companion's affect to horror on distress, delight, and attraction. (1986)Effects of an opposite-gender…Visual Pleasure and Narrative Cinema (1975)Home is where the heart is: studies in melodrama and the woman's film (1988)Men, women, and chain saws: gender in the modern horror film (1992)Hollywood from Vietnam to Reagan (1986)“Bold! Daring! Shocking! True!” (1999)Beyond Hammer: the first run market and the prestige horror film in the early 1960s (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction. A Social Critique of the Judgement of Taste (1985)Zombies, Malls, and the Consumerism Debate: George Romero's Dawn of the Dead (2002)“The Only Metaphor Left”: Colson Whitehead's Zone One and Zombie Narrative Form (2014)The Pope’s New Clothes (2023)Conflict, arousal, and curiosity. (1960)The Rites Of Passage (1961)Social psychophysiology : a sourcebook (1983)Predictors of Horror Film Attendance and Appeal (1987)Social messages of crying faces: Their influence on anticipated person perception, emotions and behavioural responses (2006)Social Reactions to Adult Crying: The Help-Soliciting Function of Tears (2008)Film Bodies: Gender, Genre, and Excess (1991)José Mojica Marins and the cultural politics of marginality in third world film criticism (2004)Bahtinyen Karnavalesk Bağlamında Kült Film Kavramı (2020)Marxism and Literature (1978)3.2. MARXISM AND LITERATURE (2006)Scientist as Subject: The Psychological Imperative. (1978)Monsters and mad scientists: a cultural history of the horror movie (1990)On 'Frankenstein; or, The Modern Prometheus' (1818) (1993)The Sci-Fi Brain: Narratives in Neuroscience and Popular Culture (2018)Genetics in Film and TV, 1912-2020 (2021)CRISPR Images: Media Use and Public Opinion About Gene Editing (2022)The Origins of Alchemy in Graeco-Roman Egypt (1971)Tales of Research Misconduct (2017)Frankenstein, Or The Modern Prometheus (2018)Sexual Behavior in the Human Female (1954)Outsiders; studies in the sociology of deviance (1963)Subculture: The Meaning of Style (1995)
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  • 1986Effects of an opposite-gender companion's affect to horror on distress, delight, and attraction.142 cited
  • 2014Whatever happened to the ‘mad, bad’ scientist? Overturning the stereotype61 cited
  • 2012Terror in Horror Genres: The Global Media and the Millennial Zombie29 cited
  • 1999Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture21 cited
  • 2007THE ALCHEMIST IN FICTION: THE MASTER NARRATIVE18 cited
  • 2010"Two Ways of Looking": The Critical Reception of 1940s Horror12 cited
  • 2016Music in the Age of Anxiety: American Music in the Fifties10 cited
  • 2009‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946)10 cited
  • 2012Relocating Lewton: Cultural Distinctions, Critical Reception, and the Val Lewton Horror Films8 cited
  • 1989?Life isn't yet over?: Older heroines in American popular cinema of the 1930s and 1970s/80s6 cited

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