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Preparation for painting : the artist's choice and its consequences
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  • 2011A Preliminary Evaluation of the Surfaces of Acrylic Emulsion Paint Films and the Effects of Wet-Cleaning Treatment by Atomic Force Microscopy (AFM)31 cited
  • 2011Portable XRF study of pigments applied in Juan Hispalense’s 15th century panel painting24 cited
  • 2016Pigment Degradation in Oil Paint Induced by Indoor Climate: Comparison of Visual and Computational Backscattered Electron Images22 cited
  • 2013Characterization of glue sizing under calcium carbonate ground layers in Flemish and Luso-Flemish painting – analysis by SEM-EDS, μ-XRD and μ-Raman spectroscopy15 cited
  • 2014Comparison of oil and egg tempera paint systems using time-of-flight secondary ion mass spectrometry15 cited
  • 2011Two Byzantine Albanian icons: a non-destructive archaeometric study14 cited
  • 2017The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting11 cited
  • 2012Materials applied in Bernardo Martorell’s painting analysed by portable XRF11 cited
  • 2016Gessoes in Portuguese Baroque gilding grounds, part 1: A study of historical documentary sources11 cited

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