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Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment
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  • 2005Music "Pushed to the Edge of Existence" (Adorno, Listening, and the Question of Hope)29 cited
  • 2008INTEGRATING MUSIC INTO INTELLECTUAL HISTORY: NINETEENTH-CENTURY ART MUSIC AS A DISCOURSE OF AGENCY AND IDENTITY16 cited
  • 2014Are Spiritual Experiences through Music Seen as Intrinsic or Extrinsic?16 cited
  • 2015Twelve‐Note Music as Music: an Essay in Two Parts7 cited
  • 2005Untimely Reflections on Operatic Echoes:7 cited
  • 2010Elsa's reason: On beliefs and motives in Wagner'sLohengrin6 cited
  • 2013Johann Gottfried Herder and the global moment of world-music history6 cited
  • 2013"Even Money Decays": Transience and Hope in Adorno, Benjamin, and Wozzeck5 cited
  • 2009Friedrich Schlegel's Romanticization of Music5 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Princeton Theory's Problematics4 cited
  • 2017Ernst Bloch's Musical Thought2 cited
  • 2019Lachenmann's Silent Voices (and the Speechless Echoes of Nono and Stockhausen)2 cited
  • 2017MAPPING MYSTERY: BRELET, JANKÉLÉVITCH, AND PHENOMENOLOGIES OF MUSIC IN POST-WORLD WAR II FRANCE2 cited

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