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Bright Darkness: The Lost Art of the Supernatural Horror Film
0 references·11 citing·17 second hop
Bright Darkness: The Lost Art of the Supernatural Horror Film (1997)Bright Darkness: The Lost Art of the Supe…THE MUMMY in context (2009)THE MUMMY in contextViolence and Psychophysiology in Horror Cinema (2004)Violence and Psychophysiology…Manifestations of the Literary Double in Modern Horror Cinema (2004)Manifestations of the Literar…Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter (2004)Freud's Worst Nightmare: Dini…Foreword: “What Lies Beneath?” (2004)Foreword: “What Lies Beneath?”Explaining the Uncanny in The Double Life of Véronique (2004)Explaining the Uncanny in The…Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value (2004)Doing Things with Theory: Fro…Afterword: Psychoanalysis and the Horror Film (2004)Afterword: Psychoanalysis and…“What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema (2004)“What's the Matter with Melan…Manifestations of the Literary Double in Modern Horror Cinema (2001)Manifestations of the Literar…British Horror Cinema (2001)British Horror CinemaVisual Pleasure and Narrative Cinema (1975)Powers of Horror: An Essay on Abjection (1984)The Constitution of Society. Outline of the Theory of Structuration (1984)Aural Atavism:The Witch's Taleand Gothic Horror Radio (2012)Monsters and mad scientists: a cultural history of the horror movie (1990)An Everyday Magic : Cinema and Cultural Memory (2002)An Everyday Magic (2002)The Female Malady: Women, Madness, and English Culture, 1830-1980 (1986)WOMEN AND EVANGELICAL MERCHANDISING IN THE NIGERIAN FILMIC ENTERPRISE (2011)Monsters in the closet: Homosexuality and the horror film (2015)The Unknown Piano Teacher (2010)The Cultural Politics of Horror Film Criticism (2014)Horror and Psychoanalysis (2014)Medieval Saints and Modern Screens (2017)Para-Paracinema (2007)Pure Quidditas or Geek Chic? (2007)Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film (2007)
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Cited by

  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2001British Horror Cinema14 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2001Manifestations of the Literary Double in Modern Horror Cinema9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited
  • 2004Manifestations of the Literary Double in Modern Horror Cinema6 cited
  • 2004Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter6 cited
  • 2009THE MUMMY in context6 cited
  • 2004“What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema5 cited

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