SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Interpreting the musical past: early music in nineteenth-century France
0 references·16 citing·42 second hop
Interpreting the musical past: early music in nineteenth-century France (2006)Interpreting the musical past: early musi…Rewritable Memory: Concerts, Canons, and Game Music History (2020)Rewritable Memory: Concerts, …The Requiem of Tomás Luis de Victoria (1603) (2019)The Requiem of Tomás Luis de …Challenging the Listener: How to Change Trends in Classical Music Programming (2018)Challenging the Listener: How…The Renaissance (2015)The RenaissanceThe Cambridge Companion to French Music (2015)The Cambridge Companion to Fr…Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries (2015)Recent Trends in the Study of…Music under Louis XIII and XIV, 1610–1715 (2015)Music under Louis XIII and XI…Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm (2015)Her-Storiography: Pierre Bour…From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX (2015)From abbey to cathedral and c…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Remembering Debussy in Interwar France: Authority, Musicology, and Legacy (2012)Remembering Debussy in Interw…Paris, 1866: In Search of French Music (2010)Paris, 1866: In Search of Fre…Music, Letters and National Identity: Reading the 1890s' Italian Music Press (2010)Music, Letters and National I…Creating Madame Landowska (2006)Creating Madame LandowskaParis, Capital of Modernity (2004)The reading nation in the Romantic period (2005)The Practice and Representation of Reading in England (2008)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Stop the Press? The Changing Media of Music Criticism (2019)Writing about Popular Music (2019)Why Classical Music Still Matters (2007)French Music, Culture, and National Identity, 1870-1939 (2008)Debussy the Man, His Music, and His Legacy: An Overview of Current Research (2012)Music: A Very Short Introduction (2021)Gender and the Musical Canon (1994)Female Pianists and Their Male Critics in Nineteenth-Century Paris (1997)Writing a Woman’s Life (2017)Female Singers on the French Stage, 1830–1848 (2018)La Crise Allemande de la Pensee Francaise (1870-1914) (1960)The Rise of Instrumental Music and Concert Series in Paris, 1828-1871 (1984)The Société Nationale and Its Adversaries: The Musical Politics of L'Invasion germanique in the 1870s (2001)Bach and the Dance of Humankind (2020)Musicology and Dance (2020)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Musicking: The Meanings of Performing and Listening (2000)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Loyalty and Longevity in Audience Listening: Investigating Experiences of Attendance at a Chamber Music Festival (2007)In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences (2020)‘What's So Funny?’: Videomemes and the Circulation of Contemporary Music in Social Media (2022)The effects of concert formats on classical concertgoers (2025)A New Introduction to Bibliography (1973)Musica Poetica: Musical-Rhetorical Figures in German Baroque Music (1998)A General History of Music, from the Earliest Ages to the Present Period (2018)Renaissance Polyphony (2020)Carolingian culture: Emulation and innovation (1995)Listening in Paris (1995)The Proprietary Church in the Medieval West (2006)Music in the Early Colonial World (2019)Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France (2015)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Wagner and the Rise of Modern Mythology (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Music, Letters and National Identity: Reading the 1890s' Italian Music Press59 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2006Creating Madame Landowska46 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2012Remembering Debussy in Interwar France: Authority, Musicology, and Legacy43 cited
  • 2015The Cambridge Companion to French Music33 cited
  • 2019The Requiem of Tomás Luis de Victoria (1603)25 cited
  • 2015The Renaissance21 cited
  • 2010Paris, 1866: In Search of French Music17 cited
  • 2018Challenging the Listener: How to Change Trends in Classical Music Programming14 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
  • 2012The performer and the composer10 cited
  • 2020Rewritable Memory: Concerts, Canons, and Game Music History7 cited
  • 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2015Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm6 cited